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<channel>
	<title>William Zeitler</title>
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	<link>http://www.williamzeitler.com/blog</link>
	<description>Infinity in the Palm of your Hand...</description>
	<pubDate>Tue, 28 Oct 2008 15:20:37 +0000</pubDate>
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		<title>&#8220;Human Doing&#8221; vs. &#8220;Human Being&#8221;</title>
		<link>http://www.williamzeitler.com/blog/2008/10/27/human-doing-vs-human-being/</link>
		<comments>http://www.williamzeitler.com/blog/2008/10/27/human-doing-vs-human-being/#comments</comments>
		<pubDate>Tue, 28 Oct 2008 03:59:45 +0000</pubDate>
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		<category><![CDATA[The Virtue of Virtue]]></category>

		<guid isPermaLink="false">http://www.williamzeitler.com/blog/?p=123</guid>
		<description><![CDATA[Particularly in our Modern Western Culture, we are encouraged to measure our self-worth by how much we Do. For example, how much Money We Make. Or into how big a house we can hock ourselves up to our eyeballs to move in. Or how many awards or degrees we accumulate, or home runs we hit, [...]]]></description>
			<content:encoded><![CDATA[<p>Particularly in our Modern Western Culture, we are encouraged to measure our self-worth by how much we Do. For example, how much Money We Make. Or into how big a house we can hock ourselves up to our eyeballs to move in. Or how many awards or degrees we accumulate, or home runs we hit, or widgets we sell, or &#8230;</p>
<p>Now I&#8217;m all for accomplishment, but there&#8217;s a fundamental problem with measuring your self-worth by how much you accomplish, and that is:</p>
<p style="padding-left: 30px;"><strong>How much you DO is not entirely up to YOU!</strong></p>
<ul>
<li>The potentially Olympic Athlete lands wrong and permanently blows out her knee.</li>
<li>The persistent but not particularly brilliant researcher accidentally discovers the Cure for Cancer.</li>
</ul>
<p>In both examples, the personal Virtue brought to bear is a <em>very</em> important factor—<strong>but it&#8217;s not the only one. </strong></p>
<p>So, given that you&#8217;d like to live a contented Life, as you passionately pursue your pursuits, would you rather your sense of personal well-being be dependent on factors BEYOND YOUR CONTROL, or factors  WITHIN YOUR CONTROL?</p>
<p>Consider these two approaches:</p>
<ol>
<li>At the end of the day (or week, or year, or lifetime), my self-worth depends on how many &lt;somethings&gt; I accomplish.</li>
<li>In this moment I am fully expressing my capabilities&#8230;and in this moment I am fully expressing my capabilities&#8230;and in this moment I am fully expressing my capabilities.</li>
</ol>
<p>Approach 1. is terribly dependent on &#8220;everything going my way&#8221;, which it almost never does.</p>
<p>But approach 2&#8230;. ah, that&#8217;s something wonderfully different.</p>
<p>TODAY, for me, is a great example. Currently we&#8217;re struggling with some Health Challenges here at Zeitler Manor, which includes going to the doctor (again), waiting and waiting to find out that &#8220;we need to run more tests, come back in a week&#8221; and there isn&#8217;t a whole lot they can do for the current misery. If I measure my contentment and self-worth by how many tasks I can check-off on my &#8220;personal achievement&#8221; do-do-list, then Doctor Day (again!) is a frustrating waste of time.</p>
<p>Instead, if I measure myself by: &#8220;In this moment I am effectively realizing my values (and serenity and compassion are at the top of that list)&#8230; and in THIS moment I am effectively expressing my values&#8230; and in THIS moment I am effectively expressing my values&#8230;&#8221;  well, then, that&#8217;s an entirely different story!</p>
<p>In every moment, I am essentially expressing my list of personal priorities and values, and acting accordingly. That happens almost by definition: I am always being Me.</p>
<p>After all, truly, how much is given to us Mere Mortals beyond This Moment&#8230;and This Moment&#8230;and This Moment? In our (Western) conception of Time, there is a Past (over which we no longer have any control) and a Future (over which we have limited control at best!). But the present—Right Now!—ah! <strong>This is Your Moment!! Choose you this moment whom you will serve! </strong>(Adapted from <span class="content">Joshua 24:15 with a &lt;grin!&gt; )</span></p>
<p>Consider this: We don&#8217;t experience Time &#8216;a year at a time&#8217;, or &#8216;a week at a time&#8217;, or even &#8216;a day at a time&#8217;. Years, weeks and days may supposedly make sense in reference to clocks. But my own personal experience of Time has virtually NOTHING TO DO with the &#8216;clock&#8217; model of Time—to me personally, really, all I have is THIS MOMENT. And THIS MOMENT. And THIS MOMENT.</p>
<p><strong>And in each moment I am constantly MAKING A CHOICE</strong>—What kind of <strong>HUMAN </strong>am I <strong>BEING</strong>?</p>
<p>WHOM DO I CHOOSE TO BE—in this moment? And in THIS moment? And in THIS moment?</p>
<p>This is not to say that I don&#8217;t have goals, etc. I&#8217;m just saying that switching my focus from &#8220;I have to accomplish &lt;fill in the blank&gt; or else I&#8217;m a &lt;fill in a bad thing&gt;&#8221; to &#8220;I&#8217;m effectively using THIS moment, and I&#8217;m effectively using THIS moment&#8230;&#8221; &#8230; THAT change of focus has transformed my life.</p>
<p style="padding-left: 30px;"><em>To see a world in a grain of sand,<br />
And a heaven in a wild flower,<br />
Hold infinity in the palm of your hand,<br />
And eternity in an hour.<br />
—William Blake</em></p>
<p style="padding-left: 30px;">
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		<title>NEW CD: Gothic Christmas</title>
		<link>http://www.williamzeitler.com/blog/2008/10/18/new-cd-gothic-christmas/</link>
		<comments>http://www.williamzeitler.com/blog/2008/10/18/new-cd-gothic-christmas/#comments</comments>
		<pubDate>Sat, 18 Oct 2008 14:54:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[christmas]]></category>

		<category><![CDATA[gothic]]></category>

		<category><![CDATA[vampire]]></category>

		<guid isPermaLink="false">http://www.williamzeitler.com/blog/?p=106</guid>
		<description><![CDATA[I just returned from a long trip to Transylvania &#60;wink!&#62; where I helped a f(r)iend make a recording: Count Bachula (666-?), the not so great great great&#8230;great uncle of the famous composer J.S.Bach—on the Transylvania side. Count Bachula and his music have recently been unearthed. The Count wanted to record some of his Vampire Holiday [...]]]></description>
			<content:encoded><![CDATA[<p>I just returned from a long trip to Transylvania &lt;wink!&gt; where I helped a f(r)iend make a recording: Count Bachula (666-?), the not so great great great&#8230;great uncle of the famous composer J.S.Bach—on the Transylvania side. Count Bachula and his music have recently been unearthed. The Count wanted to record some of his <strong>Vampire Holiday Favorites</strong> such as:</p>
<div class="wp-caption alignright" style="width: 160px"><img title="Count Bachula at Castle Bachulas Mighty Pipe Organ" src="/media/BachulaOrgan2.jpg" alt="Count Bachula at Castle Bachulas Mighty Pipe Organ" width="150" height="190" /><p class="wp-caption-text">Count Bachula at Castle Bachula&#39;s Mighty Pipe Organ</p></div>
<ul>
<li> &#8220;We Wish You a Scary Christmas&#8221;</li>
<li>&#8220;Silent Fright&#8221;,</li>
<li>&#8220;Rudolf, the Red-nosed Werewolf&#8221;</li>
<li>&#8220;The Thirteen Nights of Christmas&#8221;.</li>
</ul>
<p>Count Bachula recorded these on the mighty pipe organ at Castle Bachula, accompanied by the Transylvania Vampire Choir (directed by Dr. Van Helsing), Quasimodo on bells, and a dread host of others.</p>
<p>All the songs sound vaguely familiar to me, but the Count swears his songs are millenia old.</p>
<p>By the way, the suggestion that Count Bachula and I must be related because we look so similar is, of course, completely ridiculous!</p>
<div class="wp-caption alignleft" style="width: 160px"><a href="http://www.CountBachula.com/store"><img title="Gothic Christmas" src="/img/gcthumb.jpg" alt="Gothic Christmas" width="150" height="149" /></a><p class="wp-caption-text">Gothic Christmas</p></div>
<p>More information, including pictures of Castle Bachula, &#8220;Vampires in the News&#8221;, sound samples of all the tracks on his CD and more can be found at the Count&#8217;s website:</p>
<p style="padding-left: 30px;"><a title="Count Bachula" href="http://www.CountBachula.com" target="_blank">http://www.CountBachula.com</a></p>
<p>Information about Count Bachula&#8217;s new CD, <span style="font-style: italic;">Gothic Christmas</span>, can be found <a href="http://www.countbachula.com/store">here</a>, or click the CD cover at left—if you dare!.</p>
<p>Warmly (while I&#8217;m still warm!),</p>
<p><em>william zeitler</em></p>
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		<title>This Week With John Spong: The Drama on Wall Street</title>
		<link>http://www.williamzeitler.com/blog/2008/10/15/this-week-with-john-spong-the-drama-on-wall-street/</link>
		<comments>http://www.williamzeitler.com/blog/2008/10/15/this-week-with-john-spong-the-drama-on-wall-street/#comments</comments>
		<pubDate>Wed, 15 Oct 2008 14:34:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[This Week with John Spong]]></category>

		<guid isPermaLink="false">http://www.williamzeitler.com/blog/?p=90</guid>
		<description><![CDATA[In response to John Spong&#8217;s letter this week (below):
If we want to play the Blame Game for the current economic mess, we ALL get some. The American electorate chose the government (President, Congress, etc.) over the last many decades that failed to enact the necessary regulations (according to some) and failed to enforce the regulations [...]]]></description>
			<content:encoded><![CDATA[<p>In response to John Spong&#8217;s letter this week (below):</p>
<p>If we want to play the Blame Game for the current economic mess, we ALL get some. The American electorate chose the government (President, Congress, etc.) over the last many decades that failed to enact the necessary regulations (according to some) and failed to enforce the regulations already in place that would have prevented this mess (according to others). But we elected &#8216;em—We The People. As for appointees (justices, fed chairmen, etc.)—we elected the folks who appointed them.</p>
<p>As for blaming Wall Street per se: these are Publicly Traded Companies: their stocks are owned by investors—investors who can vote in the stockholders meetings, and who can vote confidence by buying more shares and disagreement by selling their shares. Those investors include individuals trying to grow their personal 401Ks, to Pension Funds trying to grow money for the Teachers and Firefighters they represent. Is it really possible to draw a line between Main Street and Wall Street at all?</p>
<p>But it goes much farther than that. WE wanted the ARM mortgages so we could move into a house we couldn&#8217;t afford. WE were the mortgage brokers that winked at the fraudulent mortgage applications. WE loved the mortgage backed instruments that promised high yields with &#8220;virtually no risk!&#8221; (hmm). We all were perfectly happy with the state of affairs a couple years ago—we basically indulged in a Debt Binge (me too!), and now it&#8217;s the Morning After.</p>
<p>The bottom line: we the home-owners and we the stock-holders were perfectly happy with &#8220;Wall Street Greed&#8221; while house prices and stock prices were going up. No Moral Outrage then! All of a sudden, now that the &#8220;Wall Street Greed-Mongers&#8221; aren&#8217;t delivering the goods, NOW we&#8217;re indignant!</p>
<p>I&#8217;m just really bothered by &#8220;THEY&#8217;RE the bad guys and WE&#8217;RE the innocent victims&#8221;. To be sure, some hands are dirtier than others, but aren&#8217;t ALL of our hands sullied?</p>
<p>So now we&#8217;re clamoring for More Regulation—what else can we do? It will probably help in the short term. But in the long term, the problem with More Regulation is that there are always Loopholes. Given time, the geniuses on Wall Street will come up with yet another way of &#8220;creating wealth out of nothing&#8221; that is completely legal within the regulatory structure. It&#8217;s what We The People seem to want them to do—what we keep PAYING them to do—over and over and over.</p>
<p>I keep coming back to the Wisdom of Jesus. He didn&#8217;t march for change in the Roman Government. He didn&#8217;t organize Civil Disobedience against Herod. Instead, He spent His life campaigning for the Kingdom of God—and His vision of how we human beings relate to each other in that Kingdom—one constituent at a time. Then, as now, the real battle isn&#8217;t in Washington D.C., or on Wall Street—it&#8217;s in our individual Human Hearts. Until the Human Heart changes—one at a time—all the laws and all the re-re-regulation in the world are at best a stop-gap.</p>
<p>william zeitler</p>
<blockquote cite="mid:2AE6D019-786A-413D-A498-D2B473C748C5@verizon.net">
<p style="margin: 0px 0px 16px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Times;"><em>October 15, 2008</em></span></p>
<div style="margin: 0px; text-align: center;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;"><strong>The Drama on Wall Street</strong></span></div>
<p style="margin: 0px 0px 16px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 16px; line-height: normal; font-size-adjust: none; font-stretch: normal; min-height: 18px;">
<p style="margin: 0px 0px 16px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 16px; line-height: normal; font-size-adjust: none; font-stretch: normal; min-height: 18px;">President Ronald Reagan was fond of saying that the ten most frightening words in the English language are &#8220;I&#8217;m from the government and I&#8217;m here to help you.&#8221; However, these words sound really strange in the light of Wall Street&#8217;s panicked plea for the government to come to its rescue and to the rescue of the economy that is about to sink, perhaps has already sunk, under the pressure of the enormous greed and gross mismanagement that has occurred primarily in the housing market. This request for government help came at the initiative of free market Republican George W. Bush, working through his Secretary of the Treasury Henry Paulson, the former head of Goldman Sachs, which has until recently been the crown jewel in the diadem of American capitalism. The proposed plan, disastrously called a &#8220;bailout,&#8221; has the effect of nationalizing the American financial establishment in general and the American banking industry in particular. This was an almost unheard of, not yet even imagined, event in American history.</p>
<p style="margin: 0px 0px 16px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">There was no time for critics to raise the question of how the economy got into this chaotic mess. The crisis was too immediate. Some things, however, were obvious. The Republicans, as the party of business, have always resented and resisted any federal regulation of business, and especially the banking industry, as &#8220;needless governmental intervention designed to strangle the entrepreneurial spirit.&#8221; On the other side of the aisle, the Democrats, as the party of the working people, have always mistrusted big business and its unwillingness to be regulated as tactics designed &#8220;to make the rich richer and to squeeze the common man or woman in a selfish pursuit of wealth.&#8221; That is the unspoken but real polarity that provides the tension in our political system. The truth is probably somewhere in the middle.</span></p>
<p style="margin: 0px 0px 16px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">Human nature being what it is, business must have regulation lest self interest overwhelm morality. Excessive regulation, however, will strangle the goose that lays the golden egg. The regulatory functions are therefore generally loosened during Republication administrations and are generally tightened in Democratic regimes. That alone probably speaks to the necessity of having no party remain in power too long.</span></p>
<p style="margin: 0px 0px 16px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">The present crisis seems to have had its origin in Newt Gingrich&#8217;s &#8220;Contract with America&#8221; in 1994. By nationalizing the off-year congressional elections for the first time in American history with a platform of promises on which all Republican candidates ran, the Gingrich revolution swept into power and began to implement its program. Removing regulatory controls on American business was an item on its agenda. Later in 1999 Senator Phil Gramm of Texas, a former economics professor, achieved the deregulation of banks that allowed subprime mortgages with no down payments. The Democrats pushed to make capital available to the poor. The banking industry discovered that they could sell their high risk loans to other even less regulated entities around the world. So it was that the virus of greed entered the world&#8217;s economy. This plan worked for years as the housing market skyrocketed and housing inflation became the quickest path for Americans to increase their own net worth. Markets do not, however, always go up. &#8220;Irrational exuberance&#8221; finally runs its course, economies do shrink and the moment of truth inevitably arrives. The housing bubble finally exploded and its debris began to spread over all financial markets. Wall Street now refers to it as &#8220;toxic waste.&#8221;</span></p>
<p style="margin: 0px 0px 16px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">Many factors assisted in the popping of this housing bubble. First, by deliberate government action, the dollar was allowed to decline. This lowered the price of exports and raised the price of imports, which helped America&#8217;s trade deficit. Most people did not notice unless they traveled abroad. There were, however, other unanticipated results. The price of oil was pegged to the American dollar, so as it declined the cost of a barrel of oil skyrocketed until $4 a gallon for gasoline became the norm. This increase in the cost of energy for all Americans squeezed other family expenditures and began a tightening of the belt syndrome. Credit also began to be reined in, and with it the housing market slipped more. Suddenly people recognized that the value of their homes had declined to the place that their monthly mortgage payments did nothing to increase their financial stake. Their equity disappeared. They could no longer sell their home for the price that they owed on their mortgage. So people stopped paying on their loans, and when the mortgage went into default they simply walked away.</span></p>
<p style="margin: 0px 0px 16px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">Then the fact that the banks had sold these mortgages to other financial entities around the world came into play. Someone in India or China actually held a piece of your mortgage and they began to demand that their debt be made good. A ripple effect set in. More unsold houses were placed on the market. Prices plummeted further. Those who had regularly drawn equity from their homes to support a standard of living beyond their means discovered that not only was the cash cow gone, but the lending institutions wanted more capital. When it was not forthcoming, foreclosure set in. In time so much repossessed housing got to the market that prices sank even more and mortgages carried on the books of financial institutions as assets became liabilities. Bank profits declined and a crisis unfurled. First, Countrywide Finance, America&#8217;s largest mortgage business, went under and Bank of America picked up the pieces at fire sale prices. Next Bear Stearns went into bankruptcy and was absorbed by J. P. Morgan-Chase in a deal orchestrated by the federal government. Next Fannie Mae and Freddie Mac, government subsidized mortgage lenders both had to be taken over by the government. Then Lehman Brothers, an investment banking business, was allowed to collapse, with its various pieces being cannibalized by others. AIG, the world&#8217;s largest insurance company was bailed out by government intervention and we witnessed the Secretary of the Treasury firing the CEO of a major company. In rapid succession Merrill Lynch was bought by Bank of America, Washington Mutual failed and its assets were taken over by J.P. Morgan Chase, the stock in Wachovia Bank dropped so low that Citibank swooped in, in buzzard-like fashion, to scoop up any remaining value, only to be muscled out by Wells Fargo, and finally Morgan Stanley and Goldman Sachs announced that they would become full service banks and allow themselves to be governed by banking regulations. That was the last straw, and so Wall Street overcame its opposition to government regulations and literally begged the government to bail them out with a $700 billion infusion of taxpayer capital. This was not the railroad industry or the telephone company that was being &#8220;nationalized,&#8221; this was the very heart of American capitalism being nationalized at its own request! Karl Marx could never have predicted so stunning a conclusion.</span></p>
<p style="margin: 0px 0px 16px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">The free market wing of the Republican Party turned down the bailout proposal on the first vote. In response, the Dow sank 777 points in one day. The free market mentality blinked. A few cosmetic, but insignificant, things were added to the defeated bill to give the free market champions cover and it finally passed. Wall Street cheered the fact that the financial future of this nation had been saved by a government takeover! Other shoes then began to drop as new revelations showed levels of greed and market manipulation beyond anyone&#8217;s imagination. Capitalism had been deeply wounded, but the culprit was not some left wing conspiracy, it was the greed of the capitalists themselves. After a drop in the Dow of 40% the bottom has not yet been found. Some results, however, are clear, among them are the following: </span></p>
<ol>
<li style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">The party is over, at least for a while, for Wall Street greed. CEO contracts that allowed them to drive their companies into bankruptcy while escaping with golden parachutes and enormous year end bonuses will be a thing of the past. Year end bonuses and golden parachutes will in the future be harder to get and will be subjected to increased tax rates.</span></li>
<li style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">Regulation of banking and financial institutions is now back in vogue, driven by public demand, and it will be tighter than usual.</span></li>
<li style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">This crisis will probably elect Barack Obama president. Senator McCain has looked particularly inept during the crisis. Announcing that the economy was fundamentally strong just days before the financial collapse, he looked like Herbert Hoover. Trying to cover that mistake he claimed that what he meant was that the &#8220;American workers are fundamentally sound.&#8221; Even when this mantra got repeated by surrogates like Governor Mitt Romney and Mayor Rudy Giuliani, this spin stretched credibility beyond the breaking point. Then Senator McCain &#8220;suspended&#8221; his campaign to fly into Washington to &#8220;rescue&#8221; the plan that was then actually voted down by two thirds of the members of his own party. Later attempts to spin that were about as believable as his &#8220;soundness of the American workers&#8221; idea. All Senator Obama had to do was to appear competent and he became a winner by comparison. He managed that quite well.</span></li>
</ol>
<p style="margin: 0px 0px 16px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">The potential collapse of Wall Street was suddenly high drama on Main Street. It was also scary economics. It proved, if ever there was much doubt, that the real issue in politics is not ideology, but power. People will do anything and promise anything to be elected. As disillusioning as it is, Republicans are now the party of big deficits, big government spending projects, no balanced budget in sight for at least half a century and now business bailouts by the federal government. If one lives long enough, one sees everything.</span></p>
<p style="margin: 0px 0px 16px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">William McKinley, where are you now that we need you?</span></p>
<div style="margin: 0px; text-align: right;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">–John Shelby Spong</span></div>
<p style="margin: 0px 0px 16px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 16px; line-height: normal; font-size-adjust: none; font-stretch: normal; min-height: 18px;">
</blockquote>
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		<title>Virtue for Life</title>
		<link>http://www.williamzeitler.com/blog/2008/10/08/virtue-for-life/</link>
		<comments>http://www.williamzeitler.com/blog/2008/10/08/virtue-for-life/#comments</comments>
		<pubDate>Wed, 08 Oct 2008 21:27:26 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[The Virtue of Virtue]]></category>

		<guid isPermaLink="false">http://www.williamzeitler.com/blog/?p=36</guid>
		<description><![CDATA[When I became a student of the glass armonica, I also began studying its inventor, Benjamin Franklin, in greater depth. And I am powerfully struck by the great differences between the cultural environment and political leaders of the American Revolution era and of our own day.
Like us, the Founding Fathers were a complex mix of [...]]]></description>
			<content:encoded><![CDATA[<p>When I became a student of the glass armonica, I also began studying its inventor, Benjamin Franklin, in greater depth. And I am powerfully struck by the great differences between the cultural environment and political leaders of the American Revolution era and of our own day.</p>
<p>Like us, the Founding Fathers were a complex mix of Virtue and Vice, of high morals in some ways and moral failings in others—all at the same time. <strong>To the extent the Founding Fathers sowed Virtue (such as the idea of &#8220;all men are created equal&#8221;), we generations later are still reaping the benefits, yet to the extent that they sowed Vice (for example, their acceptance of slavery), we generations later are still reaping the painful consequences </strong>(we&#8217;ve made progress, but racial prejudice is STILL a serious challenge)<strong>.</strong></p>
<p>Consider Franklin. As a young man he decided he wanted to improve himself. In his  <a title="The Autobiography of Benjamin Franklin" href="http://www.amazon.com/gp/product/0486290735?ie=UTF8&amp;tag=willzeitprofp-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0486290735" target="_blank">autobiography</a><sup>1</sup> he describes how he made a list of Virtues to work on:</p>
<ol>
<li><strong>Temperance.</strong> Eat not to Dulness, drink not to Elevation.</li>
<li><strong>Silence. </strong>Speak not but what may benefit others or your self. Avoid trifling Conversation.</li>
<li><strong>Order. </strong>Let all your Things have their Places. Let each Part of your Business have its Time.</li>
<li><strong>Resolution. </strong>Resolve to perform what you ought. Perform without fail what you resolve.</li>
<li><strong>Frugality. </strong>Make no Expence but to do good to others or yourself: i.e. Waste nothing.</li>
<li><strong>Industry. </strong>Lose no Time.—Be always employ&#8217;d in something useful.—Cut off all unnecessary Actions.</li>
<li><strong>Sincerity. </strong>Use no hurtful Deceit. Think innocently and justly; and, if you speak; speak accordingly.</li>
<li><strong>Justice. </strong>Wrong none, by doing Injuries or omitting the Benefits that are your Duty.</li>
<li><strong>Moderation. </strong>Avoid Extreams. Forbear resenting Injuries so much as you think they deserve.</li>
<li><strong>Cleanliness. </strong>Tolerate no Uncleanness in Body, Cloaths or Habitation.</li>
<li><strong>Tranquility. </strong>Be not disturbed at Trifles, or at Accidents common or unavoidable.</li>
<li><strong>Chastity. </strong>Rarely use Venery but for Health or Offspring; Never to Dulness, Weakness, or the Injury of your<strong> </strong>own or another&#8217;s Peace or Reputation.</li>
<li><strong>Humility. </strong>Imitate Jesus and Socrates.</li>
</ol>
<p>Franklin especially focused on one Virtue for a week in turn, and tracked his failures/progress on all the Virtues in a chart (each row is a Virtue, each column is a day of the week, each dot records a &#8216;lapse&#8217;):</p>
<p><img class="alignnone" title="B. Franklins &quot;Temperance&quot; Chart" src="/img/BF-temperance.jpg" alt="B. Franklins &quot;Temperance&quot; Chart" /><br />
Franklin later said about the effort:</p>
<blockquote><p><em>Tho’ I never arrived at the perfection I had been so ambitious of obtaining, but fell far short of it, yet I was, by the endeavour, a better and a happier man than I otherwise should have been if I had not attempted it.</em></p></blockquote>
<p>Now Franklin was no prude, or saint, but I think it&#8217;s safe to say that the effort he invested in his &#8216;Virtues&#8217; played no small part in his rise from the 13th son of a poor soap and candle maker (with a formal education only through the 2nd grade!) to successful businessman and author—to successful inventor—to successful statesman of worldwide and everlasting renown.</p>
<p>Franklin has quite a few aphorisms about debt; here&#8217;s a sampling:</p>
<blockquote><p>He that goes a borrowing goes a sorrowing.</p>
<p>When you run in debt; you give to another power over your liberty.</p>
<p>The second vice is lying, the first is running in debt.</p>
<p>Lying rides upon debt’s back.</p>
<p>Disdain the chain, preserve your freedom; and maintain your independency: be industrious and free; be frugal and free.</p>
<p>Rather go to bed supperless than rise in debt.</p></blockquote>
<p>And what was Franklin&#8217;s own practice surrounding debt? When he was starting his printing business as a young man, Franklin borrowed the money to get started. But he worked like a maniac to pay it off as quickly as he could.</p>
<p>It&#8217;s also worth pointing that civilization as we know it isn&#8217;t possible without credit/debt. If you&#8217;re employed, essentially you&#8217;re extending your employer &#8216;credit&#8217; by working for the month, and being paid at the end of the month. (Or whatever your pay period.) It just wouldn&#8217;t be practical for your employer to write a check for every employee every day.</p>
<p>Similarly, companies frequently have &#8216;accounts&#8217; with their suppliers—they get supplies as needed day to day and then settle up accounts at the end of the month. (Or whatever the mutually agreed terms might be.) It would simply be impractical for a large company with many of projects and supply requirements to write a check for each and every purchase with each of its suppliers day in and day out.</p>
<p>That&#8217;s short-term credit. Like any practical businessperson, Franklin extended short-term credit to his customers, and had accounts with his own suppliers.</p>
<p>But all of these are examples of using credit when the cost (in both time and money) is far less than doing without. In these examples it just makes good dollars-and-cents sense to use an appropriate amount of credit/debt.</p>
<p>So what&#8217;s an appropriate level of debt? Opinions vary, of course. Choosing a couple at random:</p>
<blockquote><p>&#8220;As a good rule of thumb, a debt-to-capital ratio below 40% is generally considered low; a ratio of 40%-60% starts to become a concern; and a ratio greater than 60% is definitely cause for concern&#8221; (&#8221;<a title="The Straight Dope On Debt" href="http://www.fool.com/investing/value/2006/03/29/the-straight-dope-on-debt.aspx" target="_blank">The Straight Dope on Debt</a>&#8220;, The Motley Fool)</p>
<p>&#8220;As a general rule, your consumer loan payments, not counting your mortgage, shouldn&#8217;t exceed 10% to 15% of your monthly take-home pay. Add in your mortgage payments and your property taxes, homeowners insurance premiums, and private mortgage insurance payments, and your total debt level generally shouldn&#8217;t exceed 36% of your monthly gross income.&#8221; (&#8221;<a title="Debt Level Calculator" href="http://members.cunamutual.com/calcs/calc.asp?nav_dest=calc:DebtLevel&amp;SITE=99999999" target="_blank">Debt Level Calculator</a>&#8220;, CUNA Mutual Group)</p></blockquote>
<p>(I&#8217;m not interested in quibbling exact numbers—there&#8217;s a range of opinions and these two examples use different rulers, but they are still &#8220;in the herd&#8221; and give a sense of what is sensible.)</p>
<p>And how are we as a country doing? Consider this chart. It shows the ratio of debt to deposits for the banking systems of various countries around the world. As you can see, the U.S. is almost &#8216;off the chart&#8217;—our current debt-to-capital ratio is over 300% !!!</p>
<div class="wp-caption alignnone" style="width: 230px"><a href="http://money.cnn.com/2008/09/26/news/leverage.fortune/"><img title="US Debt to Capital" src="/img/USDebt.jpg" alt="US Debt/Capital (click for source article)" width="220" height="555" /></a><p class="wp-caption-text">(Click for source article in Fortune Magazine, Sept. 2008)</p></div>
<p>And to whom have the banks been over-lending all this money? Or, more to the point, how does our total U.S. debt break down, in terms of government vs. business vs. consumer debt? Here&#8217;s how the U.S. Federal Reserve breaks it down (<a title="&quot;Flow of Funds&quot;, the Federal Reserve" href="http://www.federalreserve.gov/releases/z1/Current/z1r-2.pdf" target="_blank">&#8216;Domestic non-financial debt&#8217; as of the end of 2007</a>):</p>
<table border="0">
<tbody>
<tr>
<td></td>
<td>Billions of $</td>
<td>%</td>
</tr>
<tr>
<td><span style="color: #000000;"><strong>Households</strong></span></td>
<td style="text-align: right;"><strong>13.8</strong></td>
<td style="text-align: right;"><strong>43 %</strong></td>
</tr>
<tr>
<td>Business</td>
<td style="text-align: right;">10.6</td>
<td style="text-align: right;">33 %</td>
</tr>
<tr>
<td>Fed.,State &amp; Local Govt.</td>
<td style="text-align: right;">7.3</td>
<td style="text-align: right;">23 %</td>
</tr>
<tr>
<td>TOTAL</td>
<td style="text-align: right;">31.7</td>
<td style="text-align: right;">100 %</td>
</tr>
</tbody>
</table>
<p>Just for personal/household debt alone, that works out to $43,000 for every man, woman and child in the U.S. (PLUS business and government debt.)</p>
<p><strong>Mirror, mirror on the wall, who&#8217;s the biggest debtor of them all? It&#8217;s not the Feds, it&#8217;s not Wall Street—it&#8217;s </strong><strong><em>We The People! </em></strong>To be sure SOME of that personal debt is sensible—student loans, unavoidable debt from medical bills, and so forth. But I&#8217;m thinking that a lot of that debt hasn&#8217;t been so sensible—that there&#8217;s an awful lot of MacMansions, SUVs, flat screen TVs and Salad Shooters in that $13.8 billion dollars.</p>
<p><strong>As a people, we&#8217;ve become Raving Addicts to Debt. </strong>And like addicts with a serious problem, it&#8217;s affecting our <em>&#8216;job&#8217;</em> (our ability to compete in the global economy), it&#8217;s affecting our <em>relationships</em> (to other countries and our foreign affairs in general), and it&#8217;s affecting our <em>health</em> (our own U.S. economy).</p>
<p><strong>To be sure the Credit Industry hasn&#8217;t helped—they&#8217;d be like the Debt Drug Dealer. </strong>&#8220;The first credit card is FREE, little girl! Hee hee hee!&#8221; Or&#8230; &#8220;This adjustable mortgage won&#8217;t hurt you one little bit!! Hee hee hee!&#8221; But the Credit Industry hasn&#8217;t been forcibly sticking that Needle of Debt into our arms—WE&#8217;VE been doing it to ourselves. And on top of that we keep electing politicians who promise to keep sticking the Needle of Debt into Uncle Sam&#8217;s arms. (Addicts love company.)</p>
<p><strong>And, in typical addict behavior, our first instinct is to blame our own problems on </strong><strong>someone else.</strong> &#8220;It&#8217;s the Republi-crats fault!&#8221; (Wait, we elected them!) &#8220;It&#8217;s the Credit Industry&#8217;s fault!&#8221; (Wait, we signed up for those credit cards and mortgages of our own free will.) &#8220;It&#8217;s too good to be true!!&#8221;—it was.</p>
<p>I realize there are individual exceptions—I&#8217;m talking about US in general. And that includes ME. What a lot of folks are going through right now—I&#8217;ve been there. I was a computer programmer in the 90&#8217;s—remember how they said &#8220;It&#8217;s the new Internet economy that will only go up up up and never come down!&#8221; (Just like &#8220;real estate will go up up up and never come down!&#8221;—sound familiar?) I at least knew better than that—when all my colleagues were joining startups with crazy business plans, I knew that the Internet Bubble had to pop. (See <a title="Extraordinary Popular Delusions and the Madness of Crowds" href="http://www.amazon.com/gp/product/0471133124?ie=UTF8&amp;tag=willzeitprofp-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0471133124">Extraordinary Popular Delusions and the Madness of Crowds</a><img style="border:none !important; margin:0px !important;" src="http://www.assoc-amazon.com/e/ir?t=willzeitprofp-20&amp;l=as2&amp;o=1&amp;a=0471133124" border="0" alt="" width="1" height="1" /><sup>2</sup>. I was living in Seattle at the time, and the largest industry there besides software was Boeing, so I got myself employed there to weather the storm I knew was coming. And the Internet Bubble did indeed pop—and I was safely employed at what my former colleagues called &#8220;Boring Boeing&#8221; (maybe not so &#8216;boring&#8217; anymore). But who could have foreseen 9/11? Certainly not me—and the whole aviation industry augured right into the ground. Boeing was laying off employees as fast as they could to stay solvent, and that eventually included me. At that point the Software Industry was still in the toilet. I went 18 months with ONE INTERVIEW. Looked for work up and down the West Coast—nada. Couldn&#8217;t pay the mortgage or sell the house—it finally foreclosed. Maxed out the credit cards just putting food on the table. Couldn&#8217;t find work. I tried everything I could think of—and was just stumped. I finally had to declare bankruptcy. After the final court hearing, when it was all over, I went out to my truck and wept.</p>
<p>We The People have been like the drunk who has fallen down, and Bernanke and Paulson and the rest are doing what they can to get us back up onto our wobbly feet—trying to sober us up enough to stagger on a little farther. And that&#8217;s fine—it needs to be done, and they&#8217;re the experts. But dare I suggest—might we want to STOP? Stop being Raving Addicts to Debt? And just maybe try &#8216;Credit Sobriety&#8217;?</p>
<p>And what&#8217;s really great is that instead of waiting for the Fed or anyone else to &#8216;rescue me&#8217; (another addict behavior), I can start right now—right this minute—down the road to Virtue Recovery. &#8216;Virtue for Life&#8217; isn&#8217;t about &#8216;virtue for your whole life&#8217;, it&#8217;s about &#8220;Have a Life—through virtue!&#8221;</p>
<p>My argument is that Virtue is the best long term strategy for Living. &#8220;Credit-Sobriety&#8221;—or any other Virtue—isn&#8217;t about &#8220;depriving yourself&#8221; of something good, it&#8217;s about having a sustainable happy life (another form of <em>sustainability</em>!) Did Franklin&#8217;s commitment to his 13 Virtues make his life better or worse? More successful or less? And here we are, centuries later, still reaping the benefits of Franklin&#8217;s genius—virtuously applied.</p>
<p>Consider trying Franklin&#8217;s list of Virtues. Or there are marvelous lists of Virtues in all the major Religions, and countless other places. Choose a list that resonates for you. Redouble your efforts to put it into practice. You&#8217;ll make your own life, the lives of your fellow human beings, and ultimately the whole World just a little better place to live. What&#8217;s the downside to THAT?<br />
<hr />
<ol class="footnotes">
<li id="footnote_0_36" class="footnote">Franklin, B, <a title="The Autobiography of Benjamin Franklin" href="http://www.amazon.com/gp/product/0486290735?ie=UTF8&amp;tag=willzeitprofp-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0486290735" target="_blank"><em>The Autobiography of Benjamin Franklin</em></a>, pp.64ff</li>
<li id="footnote_1_36" class="footnote"><a style="border:none" title="Extraordinary Popular Delusions and the Madness of Crowds" href="http://www.amazon.com/gp/product/0471133124?ie=UTF8&amp;tag=willzeitprofp-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0471133124">Extraordinary Popular Delusions and the Madness of Crowds</a><img style="border:none !important; margin:0px !important;" src="http://www.assoc-amazon.com/e/ir?t=willzeitprofp-20&amp;l=as2&amp;o=1&amp;a=0471133124" border="0" alt="" width="1" height="1" /> is considered a classic in the history of economics. Reading about the &#8216;Tulip Bubble&#8217; of yesteryear is eerily similar to the &#8220;Derivatives Bubble&#8221; on the six-o&#8217;clock news. Heartily recommended!</li>
</ol>
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		<title>This Week with John Spong: Introducing the Prophet Isaiah</title>
		<link>http://www.williamzeitler.com/blog/2008/09/25/this-week-with-john-spong-introducing-the-prophet-isaiah/</link>
		<comments>http://www.williamzeitler.com/blog/2008/09/25/this-week-with-john-spong-introducing-the-prophet-isaiah/#comments</comments>
		<pubDate>Thu, 25 Sep 2008 14:53:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[This Week with John Spong]]></category>

		<guid isPermaLink="false">http://www.williamzeitler.com/blog/?p=95</guid>
		<description><![CDATA[I have to confess that Dr. Spong&#8217;s article this week (a copy below) bothered me mightily. It bothered me because, although I agree with the basic thrust of it (and &#8216;Progressive Christianity&#8217; in general), in my opinion it very much resorts to demonizing folks by innuendo and &#8220;facts that ain&#8217;t necessarily so&#8221;. Aren&#8217;t those precisely [...]]]></description>
			<content:encoded><![CDATA[<p><strong>I have to confess that Dr. Spong&#8217;s article this week (a copy below) bothered me mightily</strong>. It bothered me because, although I agree with the basic thrust of it (and &#8216;Progressive Christianity&#8217; in general), in my opinion it very much resorts to demonizing folks by innuendo and &#8220;facts that ain&#8217;t necessarily so&#8221;. Aren&#8217;t those precisely some of the practices of Extreme Right Christianity against which we so firmly take a stand?</p>
<p>For example, Spong&#8217;s discussion of Matt 1:23 quoting Is.7:14 &#8220;behold a virgin shall conceive&#8221;:</p>
<p><em>&gt;<span style="color: #000080;">Matthew <strong>clearly misused this text, </strong>whether by design or by mistake we will never know. First, </span></em><strong><span style="color: #000080;"><em>he did not quote Isaiah accurately.</em></span> </strong>[bold mine]</p>
<p>Oops! <strong>The author of Matthew wasn&#8217;t quoting the Hebrew Scriptures, he is in fact quoting the Septuagint WORD FOR WORD</strong>. (That&#8217;s quoting Isaiah pretty darn accurately.)</p>
<p>The <a href="http://en.wikipedia.org/wiki/Septuagint" target="_blank">Septuagint</a> is a translation of the Hebrew Scriptures into Greek done about 300 BCE, in common use and generally well regarded in the 1st century. (Tradition holds that it was translated by seventy scholars, so &#8216;Septuagint&#8217; is frequently abbreviated as &#8216;LXX&#8217; in the literature). Many (but not all) quotes from the Hebrew Scriptures in the Greek New Testament are from the Septuagint. It is not at all clear from the historical data that every Jew—or even every devout Jew—in Palestine necessarily knew Hebrew. In Biblical Studies, the Septuagint is an <em>essential</em> document for anyone relating the Greek New Testament to the Hebrew Scriptures. And they&#8217;re easy to come by: I got mine on amazon.com! (<a href="http://www.amazon.com/gp/product/B000JKRFXQ?ie=UTF8&amp;tag=willzeitprofp-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B000JKRFXQ">check it out</a>)</p>
<p><strong>So if you want to &#8216;blame&#8217; someone, it really would have to be the Septuagint translators.</strong> Are they &#8216;blameworthy&#8217;? Holladay &#8216;<em>A Concise Hebrew and Aramaic Lexicon of the O.T.</em>&#8216; (<a href="http://www.amazon.com/gp/product/0802834132?ie=UTF8&amp;tag=willzeitprofp-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0802834132">check it out</a><img style="border:none !important; margin:0px !important;" src="http://www.assoc-amazon.com/e/ir?t=willzeitprofp-20&amp;l=as2&amp;o=1&amp;a=0802834132" border="0" alt="" width="1" height="1" />) is a current standard, it is informed by the Dead Sea scrolls and the Ugaritic discoveries of the 20th century that have so dramatically expanded our understanding of ancient Hebrew. It gives the meaning of the Hebrew word here <span lang="he"><span style="direction: rtl; font-family: SBL Hebrew;">עלם</span></span> (&#8221;-aLMaH&#8221; using Israeli transliteration, pronounced roughly &#8220;all-MAH&#8221;) as: <strong>&#8220;girl (of marriageable age), young woman (until the birth of first child).&#8221; </strong>Hmm. Is &#8216;virgin&#8217; such a big leap?</p>
<p>The Septuagint translators (300 years before Christ or Matthew, and thus with no &#8216;virgin birth&#8217; doctrine to defend or deny) translated this Hebrew word &#8220;-aLMaH&#8221; (&#8217;young woman&#8217;) with the Greek word <span lang="el">παρθενος</span> (PARTHENOS) which also means &#8216;young woman&#8217; and/or &#8216;virgin&#8217; specifically. In three heavyweight Greek Lexicons we have for PARTHENOS:</p>
<p style="padding-left: 30px;"><span lang="en-us">&#8220;a young woman of marriageable age, w. or without focus on virginity&#8230;&#8221; (BDAG, <a href="http://www.amazon.com/gp/product/0226039331?ie=UTF8&amp;tag=willzeitprofp-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0226039331">check it out</a>)</span><a name="_ftnref1" href="#_ftn1"></a></p>
<p style="padding-left: 30px;">&#8220;<span lang="en-us">a person who has not as yet married (and possibly implying  virginity)—‘unmarried person’&#8230;&#8221; (Louw-Nida, 34:77, <a href="http://www.amazon.com/gp/product/0826703410?ie=UTF8&amp;tag=willzeitprofp-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0826703410">check it out</a>)</span><a name="_ftnref1" href="#_ftn1"></a></p>
<p style="padding-left: 30px;">&#8220;1. <span lang="en-gb">maiden, girl</span><span lang="en-gb">, &#8230;</span><span lang="en-gb"> virgin</span><span lang="en-gb">, &#8230; </span><span lang="en-gb"><span style="font-size: 91%; font-family: Plain Text roman;">2.</span></span><span lang="en-gb"> of unmarried women who are not virgins &#8230;&#8221; </span>(Liddell-Scott, <a href="http://www.amazon.com/gp/product/0198642261?ie=UTF8&amp;tag=willzeitprofp-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0198642261">check it out</a><img style="border:none !important; margin:0px !important;" src="http://www.assoc-amazon.com/e/ir?t=willzeitprofp-20&amp;l=as2&amp;o=1&amp;a=0198642261" border="0" alt="" width="1" height="1" />)</p>
<p>My point is that there is STILL ambiguity here—according to scholars to have devoted their lives full-time to these questions. Perhaps &#8216;maiden&#8217; is a better English gloss (&#8217;translation&#8217;) for PARTHENOS since &#8216;maiden&#8217; denotes &#8216;young girl&#8217; but also has the connotation of &#8216;virginity&#8217;. In any event, <strong>PARTHENOS was a reasonable choice on the part of the Septuagint translators.</strong></p>
<p>So one might say that technically a girl would be a &#8220;PARTHENOS&#8221; until she was married, and an &#8220;-aLMaH&#8221; until her first child was born. In the culture of that day, that gap would have been as short as could be managed. <strong>How could the Septuagint translators possibly foresee that FOUR HUNDRED YEARS LATER the subtle difference between &#8220;-aLMaH&#8221; and &#8220;PARTHENOS&#8221; would turn out to be a Big Thing?</strong></p>
<p>Add to this the cultural context for the author of Matthew that—of course important people like Caesar and Alexander the Great (and the Christ) were &#8216;virgin born&#8217;—and it&#8217;s easier to see how he might have been predisposed to see &#8216;virginity&#8217; in PARTHENOS.</p>
<p><strong>The author of Matthew apparently used what was an authoritative translation available to him, and reading this passage through his own Cultural Lens, read &#8216;virgin&#8217; as the intent of PARTHENOS (after all, &#8220;secondary&#8221; meanings are sometimes what the author of a text really intends!), which would have been entirely natural given his cultural context.</strong></p>
<p>All of this is a far cry from <span style="color: #000080;"><em>&#8220;Matthew <strong>clearly misused this text, </strong>whether by design or by mistake we will never know. First, he did not quote Isaiah accurately.&#8221;</em> </span>More like: given his cultural context and the Septuagint before him, perhaps his was not so unreasonable a reading.</p>
<p>Pressing on&#8230;</p>
<p><em><span style="color: #000080;">&gt;The facts are that neither Paul, who wrote between 51–64, nor Mark, written in the early 70s, had ever heard of this virgin birth tradition.</span></em></p>
<p>How can we know for &#8220;a &#8220;fact&#8221; what Paul or Mark &#8220;had <strong>ever heard of</strong>&#8220;?  Heck, I don&#8217;t even know what my own wife has &#8216;<strong>ever heard of</strong>&#8216;, much less some stranger 2000 years ago! The argument that &#8220;nothing has survived in which Paul mentions Jesus&#8217; virgin birth, therefore we know for &#8216;a fact&#8217; that Paul never even heard of the concept&#8221;—hmm, call me skeptical about that logic! (Actually, this seems to me to be an example of the <a href="http://en.wikipedia.org/wiki/Argument_from_silence" target="_blank">&#8220;argument from silence&#8221; fallacy</a>.)</p>
<p><span style="color: #000080;"><em>&gt;the Christian Church has known of this mistake since the middle years of the second century, when Trypho the Jew pointed it out to Justin Martyr </em></span></p>
<p>Once again, remember their historical context! Communication and travel weren&#8217;t easy. And just because Trypho the Jew discussed something with Justin Martyr hardly means that &#8220;The Christian Church&#8221; everywhere and for all the ages knew about it. And Justin Martyr&#8217;s &#8220;books&#8221; would have been hand-copied and distributed on donkey back—hardly a situation guaranteeing universal distribution throughout Christendom. <a title="Justin Martyr" href="http://en.wikipedia.org/wiki/Justin_Martyr" target="_blank">Justyn Martyr</a> (100–165) was Just Another Church Father—not the Pope or über-Church-person at all! In fact, a far larger debate  about the Septuagint  was going on between Jews and Christians by this point:</p>
<blockquote><p>&#8220;The Christians justifiably maintained that this rendering [PARTHENOS in Matt 1:23] originated from the old Jewish translators themselves, whereas the Jews with equal justification rejected it as being inaccurate. The points at issue were, however, in part, a mere matter of Christian additions, introduced into the LXX [the Septuagint] merely by the naive lack of discrimination shown by the early Christians, as was, for instance, the case with regard to Ps. XCV:10, in which hO KURIOS EBASILEUSEN ['the Lord reigns'] was supplemented by APO XULOU ['from the cross']. These words &#8220;From the Cross&#8221; were regarded by Justin Martyr as so evidently belonging to the original text of the Bible, that he was able, in all sincerity, to accuse the Jews of having maliciously expunged them.&#8221; (<a href="http://www.amazon.com/gp/product/B000JKRFXQ?ie=UTF8&amp;tag=willzeitprofp-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B000JKRFXQ"><em>Septuaginta</em>, Rahlfs</a><img style="border:none !important; margin:0px !important;" src="http://www.assoc-amazon.com/e/ir?t=willzeitprofp-20&amp;l=as2&amp;o=1&amp;a=B000JKRFXQ" border="0" alt="" width="1" height="1" />, I:xxiii ff.)</p></blockquote>
<p>WE have the benefit of thousands of ancient manuscripts and papyri nicely collated by august boards of scholars now armed with computers, beautifully published <em>en masse</em> and distributed around the world economically. NOW we have the data to sort out textual questions. And what was available to Justin Martyr? Wouldn&#8217;t he be comparing a hand-copied Septuagint, a hand-copied Matthew and a hand-copied Hebrew Bible? Is it so unreasonable that Justin Martyr might doubt Trypho the Jew with so little to go on?</p>
<p><strong>I&#8217;m not concerned about nit-picking details (except when it seems to me someone is trying to use &#8217;so-called facts&#8217; to belittle someone else); mostly I am concerned about the TONE OF DISCOURSE</strong>. Whatever the origins of the Virgin Birth narrative, it is also true that Matthew preserves numerous sayings of Jesus that are not found in the other Gospels—like THE SERMON ON THE MOUNT! We owe the author of Matthew a tremendous debt of gratitude!</p>
<p>So the author of Matthew read Isaiah 7:14 through his own Cultural Lens. <strong>And we don&#8217;t?!?</strong></p>
<p><strong>Why are <a title="ad hominem arguments" href="http://en.wikipedia.org/wiki/Ad_hominem" target="_blank">ad hominem attacks</a> necessary at all? Why dismiss the author of Matthew with the innuendo that he was careless or deliberately misleading? Why &#8216;demonize&#8217; him at all? Or Justin Martyr? Or anyone else?</strong></p>
<p><strong>Isn&#8217;t this precisely one of the practices we abhor in Extreme Right Christianity?</strong></p>
<p><strong>Instead, isn&#8217;t it better to understand the author of Matthew in his cultural context? (Like we too aren&#8217;t constrained by our own?) Or at least keep in mind that we&#8217;ll never know all that informed his choices? Isn&#8217;t it better to understand how WE might have made the same choices had we been in his sandals? Doesn&#8217;t that make it easier to have compassion and respect for him? (And for ALL our &#8216;neighbors&#8217;?) To RESPECTFULLY disagree with him with some SYMPATHY for his views? (And with ALL our &#8216;neighbors&#8217;?) And to be grateful for the Great Gift which he bequeathed to us—warts and all? (And to honor and be grateful for ALL the blessings which our &#8216;neighbors&#8217; bring to our lives?)</strong></p>
<p><strong>Isn&#8217;t this what &#8220;Progressive Christianity&#8221; is supposed to be about?</strong></p>
<p><strong>&#8220;I desired compassion and not religious observances.&#8221; (Matthew 9:13, quoting Jesus, quoting Hosea.)</strong></p>
<p>william zeitler</p>
<hr /><em>September 25, 2008</em></p>
<div style="margin: 0px; text-align: center;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;"><strong>The Origins of the Bible, Part XII</strong></span></div>
<div style="margin: 0px; text-align: center;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;"><strong>Introducing the Prophet Isaiah</strong></span></div>
<p style="margin: 0px 0px 16px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 16px; line-height: normal; font-size-adjust: none; font-stretch: normal; min-height: 18px;">
<p style="margin: 0px 0px 16px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 16px; line-height: normal; font-size-adjust: none; font-stretch: normal; min-height: 18px;">Bernard Baruch, a Jewish American from Camden, South Carolina, was well known in the first half of the 20th century as the unofficial advisor to Presidents. He played key roles in the think tanks of Presidents Woodrow Wilson, Franklin Roosevelt and Harry Truman. As the son of a surgeon who served on the staff of Confederate General Robert E. Lee, dealing with power seemed to come naturally to him. David Gergen, a native of Durham, North Carolina, played a similar role in American history in the last half of the 20th century as an advisor to Presidents Nixon, Ford, Reagan, George H. W. Bush and Clinton. Baruch and Gergen are representatives of that rare ability to ride a long political tide and to provide objective analysis in the midst of partisan conflict and thus to guide the ship of state through choppy waters.</p>
<p style="margin: 0px 0px 16px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">The biblical figure we call &#8220;I Isaiah&#8221; played a similar role in the ancient world. His writings are found in Isaiah, chapters 1-39. His life spanned the reigns of four monarchs who ruled in Jerusalem. Kings Uzziah, Jotham, Ahaz and Hezekiah, according to Old Testament scholar William F. Albright, ruled between 783-687 BCE, a total of 96 years. Isaiah was center stage for more than 50 of them, a tribute to his longevity. He emerged into public view, he says, &#8220;In the year that King Uzziah died&#8221; and he lived through one of the most difficult periods of Jewish history.</span></p>
<p style="margin: 0px 0px 16px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">The great power abroad in those days was Assyria. This warlike nation had succeeded in conquering or reducing to vassalage status most of the nations in the Middle East. It was the Assyrians who in 721 BCE destroyed the Northern Kingdom of the Jews, known as Israel, and deported its people from their land for resettlement in the Assyrian Empire, from whence they never returned. They became known as the ten lost tribes of Israel and, despite the mythology that developed over the years with people claiming to be descendants of these &#8220;Lost Tribes,&#8221; the fact is that these Jews simply disappeared into the DNA of the Middle East. It was the same fate that had befallen the Canaanites, the Amorites, the Amalekites and the Edomites before them.</span></p>
<p style="margin: 0px 0px 16px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">The Prophet Isaiah may himself have been a member of the royal family, all of whom were descendants of King David. He certainly shared their life style, educational background, values and perspectives. Perhaps it was this &#8220;blood relative&#8221; connection that provided the doorway through which he walked into his prophetic and perhaps priestly career in the upper echelons of political power in Jerusalem.</span></p>
<p style="margin: 0px 0px 16px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">A number of passages in Isaiah have entered the consciousness of the western world sufficiently to be familiar to many people. Among them is his oracle about whether or not God was moved by ritualistic activity and sacrifices. In chapter 1, Isaiah writes:</span></p>
<p style="margin: 0px 0px 16px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 16px; line-height: normal; font-size-adjust: none; font-stretch: normal; min-height: 18px;">
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">&#8220;What to me is the multitude of your sacrifices? </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">I have had enough of the burnt offering of rams…</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">I do not delight in the blood of goats…</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">Incense is an abomination to me. </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">When you spread forth your hands, </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">I will lift my eyes from you. </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">Even though you make many prayers, </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">I will not listen.&#8221; </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">It was a powerful denunciation of worship designed to manipulate the deity and a call instead to &#8220;Remove the evil of your doings from before my eyes; cease to do evil; learn to do good, seek justice, correct oppression, defend the fatherless and plead for the widow.&#8221; The tension between the words and acts of worship and the quality of the lives of the worshipers has always been present in both Jewish and Christian religious life.</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">Also in Chapter 1 are the words that President Lyndon Johnson quoted regularly during his days as Senate Majority Leader and later in the White House: &#8220;Come let us reason together, saith the Lord.&#8221; Unfortunately, Johnson&#8217;s idea of reasoning together was for his opponents to line up, drop their pants and have the LBJ brand burned into what the Bible called &#8220;their hindquarters.&#8221;</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">Probably the most influential passage of Isaiah in religious history occurs in the seventh chapter, where the prophet writes in verse 14 the words that were later translated to read: &#8220;Behold a virgin will conceive and bring forth a son and you shall call his name Immanuel.&#8221; That text was the inspiration that caused Matthew, the writer of the second gospel, to create the narrative that we now know as the Virgin Birth. That story, which did not enter the Christian tradition until the 9th decade of the Christian era, was destined to shape both the Christian creeds and later doctrinal development. The facts are that neither Paul, who wrote between 51-64, nor Mark, written in the early 70s, had ever heard of this virgin birth tradition. Paul says of Jesus&#8217; birth only that he was born of a woman like everyone else, and that he was born &#8220;under the law&#8221; like every Jew (Gal. 4:4). Mark portrays Jesus&#8217; mother as thinking that her adult son was out of his mind and seeking to put him away (Mark 3:19-35). That is hardly the behavior of one whom an angel had promised, &#8220;the child to be born will be called holy, the Son of God (Lk. 1:35).&#8221;</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">Matthew clearly misused this text, whether by design or by mistake we will never know. First, he did not quote Isaiah accurately. The original Hebrew in Isaiah chapter 7 does not say, &#8220;Behold a virgin will conceive,&#8221; it says, &#8220;Behold a woman is with child.&#8221; These two statements are clearly not the same and the Christian Church has known of this mistake since the middle years of the second century, when Trypho the Jew pointed it out to Justin Martyr in a written dialogue whose contents are still available.</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">The second thing that is wrong with Matthew&#8217;s peculiar use of the text is that the child who is anticipated by Isaiah was to be a sign to King Ahaz in the 8th century BCE that the besieging armies of King Pekah of the Northern Kingdom of Israel and King Rezin of Syria, who were surrounding Jerusalem at that moment, would not bring down the Holy City. Pekah and Resin had gone to war against Judah for not joining them in a defense alliance against the growing Assyrian power. King Ahaz preferred vassal status to defeat, and so after this threat he signed a treaty with the Assyrians. The Northern Kingdom, bent on resistance, was destroyed.</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">It was a straight line from Matthew&#8217;s misquotation of this text to the inclusion of &#8220;born of the Virgin Mary&#8221; in the creeds, to the contents of the Christmas pageants, to the development in Christian history that turned Mary first into a virgin mother, then into a permanent virgin, then into a post partum virgin, then into herself being immaculately conceived and finally into being bodily assumed into heaven. Words do have power and ideas do have consequences.</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">The next part of Isaiah that has been influential in religious history is his description of what the coming of the Kingdom of God would mean that is found in his apocalyptic chapters 34 and 35. Here the prophet begs the nations of the world to listen. He informs them that the Lord is angry and will avenge the nations of the world for their evil and bring about the Kingdom of God on earth. It will be, said Isaiah, a day of vengeance against the enemies of God&#8217;s people. Tribal religion was in full force.</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">When &#8220;The day of the Lord arrives,&#8221; Isaiah proclaimed, the signs will be that of fulfillment and wholeness. He writes:</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">&#8220;The wilderness and the dry land shall be glad, </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">The desert shall rejoice and bloom, </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">Like the crocus, it shall bloom abundantly</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">And rejoice with joy and singing. </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">Then the eyes of the blind shall be opened, </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">And the ears of the deaf unstopped; </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">Then shall the lame man leap like a hart, </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">And the tongue of the mute sing for joy. </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">The waters shall break forth in the wilderness</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">And streams in the desert; </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">The burning sand shall become a pool, </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">And the thirsty ground, springs of water. </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">And a highway shall be there, </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">And it shall be called the holy way…</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">And the ransomed of the Lord shall return, </span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">And come to Zion with singing.&#8221; (Is. 35:1, 2, 5, 6, 8, 10)</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">This passage in Isaiah shaped the gospel story of Jesus dramatically. We need to be aware that it was Mark who first added miracles to the story of Jesus. Paul knew nothing about Jesus as a miracle worker. Matthew and Luke, both of whom copied substantial parts of Mark into their narratives, expanded the miracles and even connected them to Isaiah 35 so there would be no mistaking their source. According to Matthew and Luke, John the Baptist sent messengers to Jesus inquiring as to whether he was &#8220;the one who is to come (i.e. the messiah) or shall we look for another?&#8221; Jesus responded by saying, &#8220;Go tell John what you hear and see,&#8221; and then he quotes Isaiah 35, claiming that the signs of the Kingdom are occurring in his life: The blind see, the deaf hear, the lame leap and the mute sing (see Mt.11:1-6, Lk. 7:18-23)</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">Well after his crucifixion, when the disciples of Jesus came to believe that in his life the Kingdom of God had actually arrived or at least the &#8220;first fruits&#8221; of that Kingdom had come, they placed the signs of the Kingdom into their story of Jesus. This is how the miracles came to be part of the story. They were not literal events, but signs that in Jesus the Kingdom of God was dawning. No, the Kingdom did not fully come with Jesus. His life was but a &#8220;foretaste of glory divine.&#8221; For his work of establishing the Kingdom fully, Jesus was required to &#8220;come again.&#8221; That is how the image of the second coming of Jesus became part of the Christian narrative.</span></div>
<div style="margin: 0px;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">These are a few of the major contributions of the prophet Isaiah to Christianity. It needs to be noted, however, that these contributions all come from chapters 1-39 of this book, which is from what scholars call I Isaiah. Chapters 40-55 were written by a second Isaiah and probably a third Isaiah wrote chapters 56-66. I will turn to II Isaiah when this series continues. </span></div>
<div style="margin: 0px; text-align: right;"><span style="font-style: normal; font-variant: normal; font-weight: normal; font-size: large; line-height: normal; font-size-adjust: none; font-stretch: normal; font-family: Arial;">–John Shelby Spong</span></div>
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		<title>New Music (sort of): Four Prayers</title>
		<link>http://www.williamzeitler.com/blog/2008/07/01/new-music-sort-of-four-prayers/</link>
		<comments>http://www.williamzeitler.com/blog/2008/07/01/new-music-sort-of-four-prayers/#comments</comments>
		<pubDate>Wed, 02 Jul 2008 02:28:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[New Music]]></category>

		<category><![CDATA[prayer]]></category>

		<guid isPermaLink="false">http://www.williamzeitler.com/blog/?p=29</guid>
		<description><![CDATA[I wrote these some time ago&#8211;at the time there was the possibility of a performance for glass armonica and soprano. Alas, the performance never came to pass.
So here&#8217;s the set of pieces I wrote: Four Prayers. They were inspired by a verse in the Bible about how &#8220;the Holy Spirit intercedes for us with groans [...]]]></description>
			<content:encoded><![CDATA[<p>I wrote these some time ago&#8211;at the time there was the possibility of a performance for glass armonica and soprano. Alas, the performance never came to pass.</p>
<p>So here&#8217;s the set of pieces I wrote: <em>Four Prayers</em>. They were inspired by a verse in the Bible about how &#8220;the Holy Spirit intercedes for us with groans too deep for words.&#8221; I always thought that was an interesting idea&#8211;maybe we&#8217;re not bright enough to know what to pray for (speaking for myself); maybe words are inadequate for prayers. . .</p>
<p>Along similar lines there&#8217;s an interesting little book called <em>The Cloud of Unknowing</em>, by an anonymous 14th century Christian mystic. The most interesting idea to me in this book was the &#8216;one word prayer&#8217;. His idea (and I&#8217;m paraphrasing) is that when you&#8217;re in a crowded theater and fire breaks out, you don&#8217;t yell &#8220;Attention everyone! Uncontrolled combustion seems to have initiated in this entertainment establishment&#8230;&#8221;. No, instead you yell &#8220;FIRE!&#8221; Or if you&#8217;re really in trouble you don&#8217;t yell &#8220;Please come to my assistance&#8221;, instead you yell &#8220;HELP!&#8221; Along similar lines the author argues that some of the most powerful prayers (with groans too deep for words?) are the shortest. &#8220;Help!&#8221; or &#8220;Thank you!&#8221; or&#8230;</p>
<p>So these <em>Four Prayers </em>have NO WORDS. They are all on vowels (like &#8216;ooo&#8217; and &#8216;ah&#8217;).</p>
<p>As you can see, these kinds of musings get the Muse all excited and my composing fingers itchy, and here&#8217;s the result.</p>
<p>One of Walt Disney&#8217;s &#8220;inventions&#8221; in the early days of animation was the &#8217;story board&#8217; &#8212; where they do mockups of how the film will look before they actually make the film. I make my own mockups, especially when there are other musicians involved, because rehearsal time is incredibly precious and I want to make sure (as best I can) that there are no problems before any rehearsals.</p>
<p>So these are the mockups. The armonica is real, the voice is a synthesizer (it&#8217;s a mockup, right?) Maybe someday I&#8217;ll be able to do a proper recording! <img src='http://www.williamzeitler.com/blog/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> </p>
<ol>
<li>Confession (3:46) <a href="http://www.williamzeitler.com/media/Zeitler-4Prayers-1-Confession.mp3">mp3</a> <a href="http://www.williamzeitler.com/media/samples/Zeitler-4Prayers-1-Confession-sample.mp3">20-sec sample</a> <a href="http://www.williamzeitler.com/media/Zeitler-4Prayers-1-Confession.pdf">score</a></li>
<li>Adoration (3:31) <a href="http://www.williamzeitler.com/media/Zeitler-4Prayers-2-Adoration.mp3">mp3</a> <a href="http://www.williamzeitler.com/media/samples/Zeitler-4Prayers-2-Adoration-sample.mp3">20-sec sample</a> <a href="http://www.williamzeitler.com/media/Zeitler-4Prayers-2-Adoration.pdf">score</a></li>
<li>Supplication (3:26) <a href="http://www.williamzeitler.com/media/Zeitler-4Prayers-3-Supplication.mp3">mp3</a> <a href="http://www.williamzeitler.com/media/samples/Zeitler-4Prayers-3-Supplication-sample.mp3">20-sec sample</a> <a href="http://www.williamzeitler.com/media/Zeitler-4Prayers-3-Supplication.pdf">score</a></li>
<li>Communion (3:18) <a href="http://www.williamzeitler.com/media/Zeitler-4Prayers-4-Communion.mp3">mp3</a> <a href="http://www.williamzeitler.com/media/samples/Zeitler-4Prayers-4-Communion-sample.mp3">20-sec sample</a> <a href="http://www.williamzeitler.com/media/Zeitler-4Prayers-4-Communion.pdf">score</a></li>
</ol>
<hr />As always, MP3s are on the <a href="http://www.williamzeitler.com/setyourownprice.php" target="_blank">&#8216;honor system&#8217;</a>&#8211;if my music does something for you, do a little monetary something for me and <a href="http://www.williamzeitler.com/cgi-bin/sc/order.cgi?rd=1&amp;storeid=*14896f551ab95007000afd2b&amp;sbid=SSMSB1211406619.40954"><img src="http://www.williamzeitler.com/img/btnDonate.gif" border="0" alt="DONATE" /></a></p>
]]></content:encoded>
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		<title>New CD: A World With No Tears</title>
		<link>http://www.williamzeitler.com/blog/2008/06/07/new-cd-a-world-with-no-tears/</link>
		<comments>http://www.williamzeitler.com/blog/2008/06/07/new-cd-a-world-with-no-tears/#comments</comments>
		<pubDate>Sun, 08 Jun 2008 02:36:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[New Music]]></category>

		<guid isPermaLink="false">http://www.williamzeitler.com/blog/?p=28</guid>
		<description><![CDATA[






I&#8217;ve done seven CDs to date, all of them featuring the glass armonica. And I plan to do many more featuring that instrument (like the next one!).  But every instrument has its own unique voice, and I&#8217;ve had some piano music in me that just insisted on getting written. I presented some of these [...]]]></description>
			<content:encoded><![CDATA[<table border="0" cellspacing="5" align="left">
<tbody>
<tr>
<td><img src="/img/wwnt_250.jpg" alt="" /></td>
</tr>
</tbody>
</table>
<p>I&#8217;ve done seven CDs to date, all of them featuring the glass armonica. And I plan to do many more featuring that instrument (like the next one!).  But every instrument has its own unique voice, and I&#8217;ve had some piano music in me that just insisted on getting written. I presented some of these tracks in previous blogs, they are here on CD for the first time, as well as some brand-new tracks available for the first time.</p>
<p><a title="Buckminister Fuller" href="http://en.wikipedia.org/wiki/Buckminister_Fuller" target="_blank">Buckminister Fuller</a> (1895-1983), author, inventor and visionary, pointed out that right now, today, we have the technology to feed every person on this planet.  What is stopping us is not technology, but the lack of collective will to make it happen. We have the Collective Mind to know how to do it, now we need a change of  Collective Heart. And this same observation can be made about every Big Problem we are currently facing.</p>
<p>I&#8217;m not advocating any particular Path forward. I&#8217;m just suggesting that we all, individually, and collectively (and me too!) accept a lot of grief as &#8216;the norm&#8217;&#8211;that we needn&#8217;t. Maybe the first step is just to <strong>imagine </strong>what it might be like to be grief-free. What would <em>a world with no tears</em> feel like? Maybe that&#8217;s a start&#8230;</p>
<p>This is easily the most personal and &#8216;honest&#8217; album I&#8217;ve done to date. (I still have so much to learn on how to do these!) I am honored to share this music with you.</p>
<p>You can order <em>A World With No Tears</em> <a href="http://www.williamzeitler.com/store/aworldwithnotears/index.php">here</a></p>
<p>Here are the tracks with MP3s:</p>
<table class="single" border="0" align="center">
<tbody>
<tr>
<td class="singlecenter" width="400"><strong>Title</strong></td>
<td class="singleleft"><strong>Time</strong></td>
<td class="singlecenter"><strong>Full Mp3</strong></td>
<td class="singlecenter"><strong>20-second<br />
Mp3 Sample</strong></td>
</tr>
<tr>
<td class="singleleft">1. A World With No Tears</td>
<td class="singleright">6:17</td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('A World With No Tears', this.href,'1'); return false" href="/media/AWorldWithNoTears-01-AWorldWithNoTears.mp3" target="_blank">mp3</a></td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('A World With No Tears-20 second sample', this.href,'1'); return false" href="/media/samples/AWorldWithNoTears-01-AWorldWithNoTears-sample.mp3" target="_blank">mp3</a></td>
</tr>
<tr>
<td class="singleleft">2. Everywhere I Search For You</td>
<td class="singleright">2:46</td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('Everywhere I Search For You', this.href,'1'); return false" href="/media/AWorldWithNoTears-02-EverywhereISearchForYou.mp3" target="_blank">mp3</a></td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('Everywhere I Search For You-20 second sample', this.href,'1'); return false" href="/media/samples/AWorldWithNoTears-02-EverywhereISearchForYou-sample.mp3" target="_blank">mp3</a></td>
</tr>
<tr>
<td class="singleleft">3. An Exaltation Of Larks</td>
<td class="singleright">5:03</td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('An Exaltation Of Larks', this.href,'1'); return false" href="/media/AWorldWithNoTears-03-AnExaltationOfLarks.mp3" target="_blank">mp3</a></td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('An Exaltation Of Larks-20 second sample', this.href,'1'); return false" href="/media/samples/AWorldWithNoTears-03-AnExaltationOfLarks-sample.mp3" target="_blank">mp3</a></td>
</tr>
<tr>
<td class="singleleft">4. Lullaby</td>
<td class="singleright">3:51</td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('Lullaby', this.href,'1'); return false" href="/media/AWorldWithNoTears-04-Lullaby.mp3" target="_blank">mp3</a></td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('Lullaby-20 second sample', this.href,'1'); return false" href="/media/samples/AWorldWithNoTears-04-Lullaby-sample.mp3" target="_blank">mp3</a></td>
</tr>
<tr>
<td class="singleleft">5. If Only I Could Kiss It &amp; Make It Better</td>
<td class="singleright">6:32</td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('If Only I Could Kiss It &amp; Make It Better', this.href,'1'); return false" href="/media/AWorldWithNoTears-05-IfOnlyICouldKissIt.mp3" target="_blank">mp3</a></td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('If Only I Could Kiss It &amp; Make It Better-20 second sample', this.href,'1'); return false" href="/media/samples/AWorldWithNoTears-05-IfOnlyICouldKissIt-sample.mp3" target="_blank">mp3</a></td>
</tr>
<tr>
<td class="singleleft">6. The Laughing Sage</td>
<td class="singleright">3:09</td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('The Laughing Sage', this.href,'1'); return false" href="/media/AWorldWithNoTears-06-TheLaughingSage.mp3" target="_blank">mp3</a></td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('The Laughing Sage-20 second sample', this.href,'1'); return false" href="/media/samples/AWorldWithNoTears-06-TheLaughingSage-sample.mp3" target="_blank">mp3</a></td>
</tr>
<tr>
<td class="singleleft">7. Diamond Dewdrops</td>
<td class="singleright">3:49</td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('Diamond Dewdrops', this.href,'1'); return false" href="/media/AWorldWithNoTears-07-DiamondDewdrops.mp3" target="_blank">mp3</a></td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('Diamond Dewdrops-20 second sample', this.href,'1'); return false" href="/media/samples/AWorldWithNoTears-07-DiamondDewdrops-sample.mp3" target="_blank">mp3</a></td>
</tr>
<tr>
<td class="singleleft">8. Shadows At Twilight</td>
<td class="singleright">8:20</td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('Shadows At Twilight', this.href,'1'); return false" href="/media/AWorldWithNoTears-08-ShadowsAtTwilight.mp3" target="_blank">mp3</a></td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('Shadows At Twilight-20 second sample', this.href,'1'); return false" href="/media/samples/AWorldWithNoTears-08-ShadowsAtTwilight-sample.mp3" target="_blank">mp3</a></td>
</tr>
<tr>
<td class="singleleft">9. The Harmony Of Flowers</td>
<td class="singleright">3:00</td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('The Harmony Of Flowers', this.href,'1'); return false" href="/media/AWorldWithNoTears-09-TheHarmonyOfFlowers.mp3" target="_blank">mp3</a></td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('The Harmony Of Flowers-20 second sample', this.href,'1'); return false" href="/media/samples/AWorldWithNoTears-09-TheHarmonyOfFlowers-sample.mp3" target="_blank">mp3</a></td>
</tr>
<tr>
<td class="singleleft">10. A Prayer In The Still Of The Night</td>
<td class="singleright">5:38</td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('A Prayer In The Still Of The Night', this.href,'1'); return false" href="/media/AWorldWithNoTears-10-APrayerInTheStillOfTheNight.mp3" target="_blank">mp3</a></td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('A Prayer In The Still Of The Night-20 second sample', this.href,'1'); return false" href="/media/samples/AWorldWithNoTears-10-APrayerInTheStillOfTheNight-sample.mp3" target="_blank">mp3</a></td>
</tr>
<tr>
<td class="singleleft">11. A Leaf In The Wind</td>
<td class="singleright">5:09</td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('A Leaf In The Wind', this.href,'1'); return false" href="/media/AWorldWithNoTears-11-ALeafInTheWind.mp3" target="_blank">mp3</a></td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('A Leaf In The Wind-20 second sample', this.href,'1'); return false" href="/media/samples/AWorldWithNoTears-11-ALeafInTheWind-sample.mp3" target="_blank">mp3</a></td>
</tr>
<tr>
<td class="singleleft">12. The Dragonfly&#8217;s First Dawn</td>
<td class="singleright">7:45</td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('The Dragonfly', this.href,'1'); return false" href="/media/AWorldWithNoTears-12-TheDragonflysFirstDawn.mp3" target="_blank">mp3</a></td>
<td class="singlecenter"><a onclick="javascript:BatmoAudioPop('The Dragonfly-20 second sample', this.href,'1'); return false" href="/media/samples/AWorldWithNoTears-12-TheDragonflysFirstDawn-sample.mp3" target="_blank">mp3</a></td>
</tr>
<tr>
<td class="singleright"><strong>Total playing time:</strong></td>
<td class="singleright">61:43</td>
<td class="singlecenter"></td>
</tr>
</tbody>
</table>
<hr />As always, MP3s are on the <a href="http://www.williamzeitler.com/setyourownprice.php" target="_blank">â€˜honor systemâ€™</a>â€“if my music does something for you, do a little monetary something for me and <a href="http://www.williamzeitler.com/cgi-bin/sc/order.cgi?rd=1&amp;storeid=*14896f551ab95007000afd2b&amp;sbid=SSMSB1211406619.40954"><img src="http://www.williamzeitler.com/img/btnDonate.gif" border="0" alt="DONATE" /></a></p>
]]></content:encoded>
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		<item>
		<title>New Music: The Seventy-Two Names of God</title>
		<link>http://www.williamzeitler.com/blog/2008/05/21/new-music-the-seventy-two-names-of-god/</link>
		<comments>http://www.williamzeitler.com/blog/2008/05/21/new-music-the-seventy-two-names-of-god/#comments</comments>
		<pubDate>Wed, 21 May 2008 16:54:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[New Music]]></category>

		<guid isPermaLink="false">http://www.williamzeitler.com/blog/2008/05/21/new-music-the-seventy-two-names-of-god/</guid>
		<description><![CDATA[Athanasius Kircher (1602-1680) was one of the foremost Jesuit scholars of his day&#8211;so much so that the Vatican ordered him to Rome and relieved him of all ecclesiastical duties so he could devote himself to study, writing and teaching. His range of interests was encyclopedic: he taught a half-dozen languages and mathematics; wrote extensively on [...]]]></description>
			<content:encoded><![CDATA[<p><a title="Athanasius Kircher" href="http://en.wikipedia.org/wiki/Athanasius_Kircher" target="_blank"><img class="alignleft" style="float: left;" src="/img/kircher.jpg" alt="" />Athanasius Kircher</a> (1602-1680) was one of the foremost Jesuit scholars of his day&#8211;so much so that the Vatican ordered him to Rome and relieved him of all ecclesiastical duties so he could devote himself to study, writing and teaching. His range of interests was encyclopedic: he taught a half-dozen languages and mathematics; wrote extensively on optics, magnetism, volcanoes, automata (early robots) and music; his was the first recorded attempt to decipher Egyptian hieroglyphics&#8211;to name just a few! And he founded perhaps the greatest museum of his day&#8211;scholars and explorers contributed to his collection from all over the world. J.S.Bach and his contemporaries would have been acquainted with Kircher&#8217;s massive treatise on music: <em>Musurgia universalis. </em>And, he discussed the wet-finger-around-the-wine-glass phenomenon in his <em>Phonurgia Nova</em> (1673), so he has a place in the history of the musical glasses and glass armonica.</p>
<table border="0" align="right" cellpadding='3'>
<caption align="bottom" class="caption">Glasses from Kircher&#8217;s <em>Phonurgia Nova</em> (1673)</caption>
<tbody>
<tr>
<td><img class="alignright" style="float: right;" src="/img/KircherGlasses.jpg" alt="" /></td>
</tr>
</tbody>
</table>
<p>Kircher believed that all the religions of the world (including Catholicism, and religions from the Far East&#8211;about which he was very keen to learn) shared a common origin&#8211;much like the Biblical idea that our common origin can be traced back to Adam &amp; Eve. <em>What an ecumenical vision! </em>And this&#8211;while war was raging between Catholics vs. Protestants throughout Europe in Kircher&#8217;s own day. Indeed, in his autobiography Kircher recounts how, as a young man, he was captured and almost lynched by Protestants&#8211;he was on the horse with the noose around his neck when they changed their minds and set him free.</p>
<table border="0" align="left" cellpadding='3'>
<caption align="bottom" class="caption">Kircher&#8217;s <em>Seventy-two Names of God<br />
from his <em>Oedipus Aegyptiacus </em> (1655)<br />
<strong>CLICK IMAGE FOR HI-RES</strong></em></caption>
<tbody>
<tr>
<td><a title="Kircher's Seventy-Two Names of God" href="/img/Kircher72.jpg" target="_blank"><img class="alignleft" style="float: left;" src="/img/Kircher72sm.jpg" alt="" /></a></td>
</tr>
</tbody>
</table>
<p>In his book <em>Oedipus Aegyptiacus </em>(1655)<em> </em>we find a chart of the &#8216;72 Names of God&#8217;. Each name is assigned to a different country or region of the world; for example he has &#8216;GOTT&#8217; for Germany. Many of these &#8220;countries&#8221; are recognizable (&#8217;Syria&#8217;). Others not so much (&#8217;Zaflaneles&#8217;), and don&#8217;t appear in any of my Latin lexicons (including my <a href="http://www.amazon.com/Oxford-Latin-Dictionary-P-Glare/dp/0198642245/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1211405099&amp;sr=1-1" target="_blank">Oxford Latin Dictionary</a>, Glare and my <a href="http://www.amazon.com/Mediae-Latinitatis-Lexicon-Minus-Mittellateinisches/dp/9004112790/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1211390605&amp;sr=1-1" target="_blank">Medieval Latin Dictionary,</a> Niermeyer)&#8211;perhaps these regions have simply passed out of memory.</p>
<p>I&#8217;ve had the idea of writing a piece based on Kircher&#8217;s Seventy-Two Names for many years, and when <a title="I Cantori di Carmel" href="http://www.icantori.org/default.htm" target="_blank"><em>I Cantori di Carmel</em></a> approached me about composing a piece for chorus and glass armonica for them, Dr. Sal Ferrantelli (the director) was very excited about the idea.</p>
<table border="0" align="right" cellpadding='3'>
<caption align="bottom" class="caption">Dr. Ferrantelli &amp; William Zeitler playing the glass armonica &#8220;four-hands&#8221;</caption>
<tbody>
<tr>
<td><img class="alignright" style="float: right;" src="/img/Ferrantelli.jpg" alt="" /></td>
</tr>
</tbody>
</table>
<p>And so this piece came to be. It was performed at the Carmel Mission Basilica in Carmel, CA on December 8 &amp; 9, 2007. My thanks to Dr. Ferrantelli and to the chorus members and orchestra for the superb performance they gave!</p>
<p>My own imagination about this piece is that each nation of the world has its own name for God&#8211;each name is precious to its own people. Hence the piece as a whole has a passionate&#8211;and deliberately non-intellectual&#8211;cast to it. And it leans heavily towards homophony (vs. polyphony) to really emphasize that these 72 Names belong together in a Great Celestial Song. After the opening glass armonica solo, the chorus opens the piece with a text from the <a href="http://en.wikipedia.org/wiki/Vulgate" target="_blank">Latin Vulgate</a> (the Latin translation of the Bible used in the Catholic Church since the 5th century (!) until the present day)&#8211;to introduce the 72 names which will follow:</p>
<blockquote><p><em>Laudabo nomen Dei cum canticum</em><br />
Praise the name of God with a song<br />
<span class="caption">(Ps.69:30, or Ps.68:31 in the Vulgate)</span></p></blockquote>
<p>Then follow the 72 names, each sung exactly once (we must be fair about this&#8211;no favoritism!):</p>
<blockquote>
<table border="0" cellpadding="3">
<tbody>
<tr>
<td>1.	YHVH<br />
2.	ALHA<br />
3.	ELVH<br />
4.	ALLA<br />
5.	ThONT<br />
6.	ABGD<br />
7.	ATAT<br />
8.	MOTI<br />
9.	AGZI<br />
10.	SURI<br />
11.	DEUS<br />
12.	ThEOS<br />
13.	BOOG<br />
14.	DIOS<br />
15.	IDIO<br />
16.	DIEU<br />
17.	GOTT<br />
18.	BOOG</td>
<td>19.	BOGI<br />
20.	TIOS<br />
21.	BUEG<br />
22.	GOOD<br />
23.	DIEH<br />
24.	ESAR<br />
25.	ORSY<br />
26.	AGDI<br />
27.	ThEOS<br />
28.	ADAD<br />
29.	ZIMI<br />
30.	TURA<br />
31.	TELI<br />
32.	ANOT<br />
33.	AGAD<br />
34.	ANEB<br />
35.	ANUP<br />
36.	ALLA</td>
<td>37.	ABDA<br />
38.	AGLA<br />
39.	GOOT<br />
40.	GOED<br />
41.	GUDI<br />
42.	BIUB<br />
43.	SOLU<br />
44.	BOSA<br />
45.	HOBA<br />
46.	PIUR<br />
47.	HANA<br />
48.	ZACA<br />
49.	MORA<br />
50.	POLA<br />
51.	PILA<br />
52.	ABAG<br />
53.	OBRA<br />
54.	BORA</td>
<td>55.	ALAI<br />
56.	ILLI<br />
57.	POPA<br />
58.	PARA<br />
59.	ELLA<br />
60.	GENA<br />
61.	SIIA<br />
62.	SUNA<br />
63.	MIRI<br />
64.	ALLI<br />
65.	TARA<br />
66.	PORA<br />
67.	BOGO<br />
68.	DEOS<br />
69.	DEeOS<br />
70.	ARIS<br />
71.	ZEUT<br />
72.	KALO</td>
</tr>
</tbody>
</table>
</blockquote>
<p>The piece repeats the opening Latin text, closes with an &#8216;amen&#8217;, and the glass armonica has the last word.</p>
<ul>
<li>Here&#8217;s the complete MP3 of <a href='http://www.williamzeitler.com/media/Zeitler-SeventyTwoNamesOfGod.mp3' target='_blank' onclick="javascript:BatmoAudioPop('The Seventy-Two Names of God',this.href,'1'); return false">The Seventy-Two Names of God</a> (7:59)</li>
<li>Here&#8217;s <a href='http://www.williamzeitler.com/media/samples/Zeitler-SeventyTwoNamesOfGod-sample.mp3' target='_blank' onclick="javascript:BatmoAudioPop('The Seventy-Two Names of God - the first 20 seconds',this.href,'1'); return false">the first 20 seconds</a></li>
<li>Here&#8217;s the piano-vocal score to <a href="http://www.williamzeitler.com/media/Zeitler-SeventyTwoNamesOfGod.pdf" target="_blank">The Seventy-Two Names of God</a>.</li>
</ul>
<hr />As always, MP3s are on the <a href="http://www.williamzeitler.com/setyourownprice.php" target="_blank">&#8216;honor system&#8217;</a>&#8211;if my music does something for you, do a little monetary something for me and <a href="http://www.williamzeitler.com/cgi-bin/sc/order.cgi?rd=1&#038;storeid=*14896f551ab95007000afd2b&#038;sbid=SSMSB1211406619.40954"><img src="http://www.williamzeitler.com/img/btnDonate.gif" border="0" alt="DONATE" /></a></p>
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		<title>New Music: &#8220;Shadows At Twilight&#8221;</title>
		<link>http://www.williamzeitler.com/blog/2008/04/14/new-music-shadows-at-twilight/</link>
		<comments>http://www.williamzeitler.com/blog/2008/04/14/new-music-shadows-at-twilight/#comments</comments>
		<pubDate>Tue, 15 Apr 2008 04:15:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[New Music]]></category>

		<category><![CDATA[The Creative Life]]></category>

		<guid isPermaLink="false">http://www.williamzeitler.com/blog/2008/04/14/new-music-shadows-at-twilight/</guid>
		<description><![CDATA[William: Hey, Jack, I&#8217;ve got a new piano piece! With this piece I now have enough music to complete a new album. It&#8217;ll be all solo piano&#8211;meaning I&#8217;ll have 1 piano album and 7 glass armonica albums. I still have my &#8216;post-production&#8217; to do to turn it into a finished product, which should take a [...]]]></description>
			<content:encoded><![CDATA[<p style="margin-bottom: 0in">William: Hey, Jack, I&#8217;ve got a new piano piece! With this piece I now have enough music to complete a new album. It&#8217;ll be all solo piano&#8211;meaning I&#8217;ll have 1 piano album and 7 glass armonica albums. I still have my &#8216;post-production&#8217; to do to turn it into a finished product, which should take a few weeks.</p>
<p style="margin-bottom: 0in">Jack: Congratulations! Let&#8217;s hear this new piece. What&#8217;s it called?</p>
<p style="margin-bottom: 0in">William: <em>Shadows at Twilight. </em></p>
<ul>
<li>Here&#8217;s the complete MP3 of <a href='<a href="http://www.williamzeitler.com/media/AWorldWithNoTears-08-ShadowsAtTwilight.mp3">http://www.williamzeitler.com/media/AWorldWithNoTears-08-ShadowsAtTwilight.mp3</a>' target='_blank' onclick="javascript:BatmoAudioPop('Shadows At Twilight',this.href,'1'); return false">Shadows At Twilight</a> (8:28)</li>
<li>Here&#8217;s <a href='<a href="http://www.williamzeitler.com/media/samples/AWorldWithNoTears-08-ShadowsAtTwilight-sample.mp3">http://www.williamzeitler.com/media/samples/AWorldWithNoTears-08-ShadowsAtTwilight-sample.mp3</a>' target='_blank' onclick="javascript:BatmoAudioPop('Shadows at Twilight - the first 20 seconds',this.href,'1'); return false">the first 20 seconds</a></li>
<li>Here&#8217;s the score to <a href="http://www.williamzeitler.com/media/AWorldWithNoTears-08-ShadowsAtTwilight.pdf" target="_blank">Shadows At Twilight</a> for you pianists.</li>
</ul>
<p style="margin-bottom: 0in">Jack: I like it! The title is a little curious, however: <em>are</em><span style="font-style: normal"> there shadows at twilight? &lt;wink!&gt;<br />
</span></p>
<p style="margin-bottom: 0in">William: Nice. Don&#8217;t I get some artistic license or something?</p>
<p style="margin-bottom: 0in">Jack: Not from me! Interesting that it&#8217;s over 8 minutes long&#8211;on the longish side as music pieces go.</p>
<p style="margin-bottom: 0in">William: Yes. I know that&#8217;s a bit of an issue for folks downloading mp3s of it&#8211;which is why I also have the 20 second samples. But that&#8217;s only an issue once&#8211;the one time they download it&#8211;after that they can play it as many times as they want without that delay. Meanwhile, sometimes a &#8217;short story&#8217; won&#8217;t do&#8211;sometimes you really need a &#8216;novel&#8217;. Some moods just take more time to create.</p>
<p style="margin-bottom: 0in">Jack: Reminds me of how Beatles era songs had to be less than 3 minutes long to be played on the radio. That&#8217;s all the time the radio stations allowed for music between commercials. If a song was longer than that, it wouldn&#8217;t get radio play!</p>
<p style="margin-bottom: 0in">William: I didn&#8217;t know that! And of course there&#8217;s a similar issue for TV, where the heroine only has 40 minutes to save the world&#8211;60 minutes minus 20 minutes for commercials! Meanwhile, I think many of the best things in Life just need the time they need&#8211;a good meal, love making, sunsets&#8211;but when commercial media is involved, time is money!</p>
<p style="margin-bottom: 0in">Jack: And understandably so. TV studios, for example, and the whole infrastructure for distributing TV is pretty darn expensive. Same goes for movies.</p>
<p style="margin-bottom: 0in">William: That whole concept of taking the time&#8211;making the time for something is an issue I constantly struggle with.</p>
<p style="margin-bottom: 0in">Jack: Don&#8217;t we all!! In many ways a true measure of a person&#8217;s priorities is how they spend their time&#8211;and money, which is pretty darn closely related. Of course that can be complex. All kinds of folks make providing for their family the top priority, so off they go to work every day. Then their secondary priorities kick in with their discretionary time and money. We&#8217;re all a complex mix of primary and secondary priorities.</p>
<p style="margin-bottom: 0in">William: Sure. But at the same time, if someone says â€œI want to be a novelistâ€ but never spends any time writing, they&#8217;re kidding themselves.</p>
<p style="margin-bottom: 0in">Jack: That&#8217;s true. I&#8217;m reminded of the famous Woody Allen saying: â€œ80% of success is showing up.â€ Showing up for practice, showing up to your word-processor if you&#8217;re a writer, showing up for your kids&#8217; school plays if you&#8217;re a parent&#8230;</p>
<p style="margin-bottom: 0in">William: So the challenge for me is to be <em><span>conscious </span></em>of my choices about how I invest my time. To do reality checks of looking at how I am <em><span>actually </span></em>spending my time and cross-checking that with what I&#8217;ve been <em><span>telling myself </span></em>my priorities are.</p>
<p style="margin-bottom: 0in">Jack: Like Mr. Socrates said: â€œThe unexamined life is not worth living!â€</p>
<p>William: This all ties in with a book that I&#8217;ve been meaning to tell you about: <em><a href="http://www.amazon.com/gp/product/0446691437?ie=UTF8&amp;tag=willzeitprofp-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0446691437">The War of Art</a></em><span style="font-style: normal">, by Stephen Pressfield. The premise of his book is that success in Your Art&#8211;which in his book includes any Great Task for </span><em>you</em><span style="font-style: normal">: starting a business, writing that novel, learning yoga, losing weight&#8211;that the great challenge is &#8217;showing up&#8217;: </span></p>
<p style="margin-left: 0.49in; margin-bottom: 0in; font-style: normal">â€œThere&#8217;s a secret that real writers know that wannabe writers don&#8217;t, and the secret is this: It&#8217;s not the writing part that&#8217;s hard. What&#8217;s hard is sitting down to write.â€</p>
<p style="margin-bottom: 0in; font-style: normal">Think about Tiger Woods. Do you think a day goes by when he doesn&#8217;t get out his clubs and practice his swing&#8211;in the hotel lobby on rainy days, if necessary? Does Jack LaLane miss a day doing his calisthenics? Does the devoted monk skip his daily prayers, even when he&#8217;s not in the mood?</p>
<p style="margin-bottom: 0in; font-style: normal">Pressfield calls that â€œturning proâ€&#8211;professional:</p>
<p style="margin-left: 0.49in; margin-bottom: 0in"><span style="font-style: normal">The word </span><em>amateur</em><span style="font-style: normal"> comes from the Latin root meaning â€œto loveâ€. The conventional interpretation is that the amateur pursues his calling out of love, while the pro does it for money. Not the way I see it. In my view, the amateur does not love the game enough. If he did, he would not pursue it as a sideline, distinct from his â€œrealâ€ vocation.</span></p>
<p style="margin-bottom: 0in"><span style="font-style: normal">Pressfield point out that we </span><em>already</em><span style="font-style: normal"> have &#8216;turned pro&#8217; about a lot of things in our lives: our jobs, our relationships&#8211;we commit to &#8217;showing up&#8217; every day to make them work. Or we get fired&#8211;by our bosses and our amours! So it&#8217;s really a concept that&#8217;s already familiar to all of us.</span></p>
<p style="margin-bottom: 0in"><span style="font-style: normal">Many times I&#8217;ve thought of myself as not being very disciplined, and yet my life is </span><em>full</em><span style="font-style: normal"> of all sorts of self-disciplines: I never have any internal debate about stopping at red lights, or brushing my teeth every day, or paying my bills&#8211;there is a long, long list of things where I just do what I need to do without any muss or fuss. Well, maybe I fuss </span><em>a little</em><span style="font-style: normal"> about paying the bills &lt;grin!&gt;, but it never seriously occurs to me to skip doing that altogether.</span></p>
<p style="margin-bottom: 0in"><span style="font-style: normal">Then, the trick is realizing that you can take that Discipline skill, that you really </span><em>already have in abundance</em><span style="font-style: normal">, and consciously apply it to new areas of your life when you are so moved.</span></p>
<p style="margin-bottom: 0in"><span style="font-style: normal">Along those lines I&#8217;ve been trying an experiment lately. Now mind you, I&#8217;ve composed about 200 titles so far in my composing career, so I like to think I&#8217;ve been investing the time. But it&#8217;s been pretty haphazard&#8211;I might compose all day one day, then not at all for a couple days, like that. So lately I&#8217;ve been trying the &#8216;Pressfield Plan&#8217;&#8211;&#8217;showing up&#8217; </span><span style="font-style: normal"><strong>every day</strong></span><span style="font-style: normal"> to the music paper. Not all of the music that results from that is good, of course&#8211;that&#8217;s what recycle bins are for! But there really is something different about making that commitment to just</span><span style="font-style: normal"><strong> &#8217;show up&#8217;&#8211;every stinkin&#8217; day</strong></span><span style="font-style: normal">. Some crazy days that may mean getting up early. But there&#8217;s something amazing about showing&#8211;</span><em>proving</em><span style="font-style: normal">&#8211;your devotion to Your Muse by giving her attention every single day. Just like you need to give your boss and your amour attention every day. And your boss, your amour, and The Muse&#8211;they all respond in kind.</span></p>
<p style="margin-bottom: 0in"><span style="font-style: normal">This doesn&#8217;t mean you can </span><em>never</em><span style="font-style: normal"> take a day off. Rather, it&#8217;s the difference between &#8217;showing up&#8217; being the </span><span style="font-style: normal"><strong>rule</strong></span><span style="font-style: normal"> with the occasional&#8211;and conscious&#8211;exception, as opposed to what you were doing before where &#8217;showing up&#8217; was the exception&#8211;it was haphazard, and not the rule.</span></p>
<p style="margin-bottom: 0in"><span style="font-style: normal">The big surprise has been that just &#8217;showing up&#8217; has been the hardest part&#8211;that the </span><span style="font-style: normal"><strong>first note</strong></span><span style="font-style: normal"> is by far the hardest to compose. The next note and the note after that come far more easily.&#8217;</span></p>
<p style="margin-bottom: 0in">Jack: I look forward to hearing how this works out for you.</p>
<hr />As always, MP3s are on the <a href="http://www.williamzeitler.com/setyourownprice.php" target="_blank">&#8216;honor system&#8217;</a>&#8211;if my music does something for you, do a little monetary something for me and <a href="http://www.williamzeitler.com/cgi-bin/sc/order.cgi?rd=1&amp;storeid=*14896f551ab95007000afd2b&amp;sbid=SSMSB1211406619.40954"><img src="http://www.williamzeitler.com/img/btnDonate.gif" border="0" alt="DONATE" /></a></p>
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		<title>New Music: &#8220;A Leaf in the Wind&#8221;</title>
		<link>http://www.williamzeitler.com/blog/2008/03/22/new-music-a-leaf-in-the-wind/</link>
		<comments>http://www.williamzeitler.com/blog/2008/03/22/new-music-a-leaf-in-the-wind/#comments</comments>
		<pubDate>Sat, 22 Mar 2008 23:10:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[New Music]]></category>

		<guid isPermaLink="false">http://www.williamzeitler.com/blog/2008/03/22/new-music-a-leaf-in-the-wind/</guid>
		<description><![CDATA[(Time for another visit with my friend Jack &#8230;)
William: Hey, Jack, good to see you again!
Jack: Always a pleasure, my friend!
William: The news about the economy lately is sure amazing. Itâ€™s an astonishing and sad thing to beholdâ€¦ &#60;!&#8211;[endif]&#8211;&#62;
Jack: Yes, thereâ€™s a lot of misery out there. How are you doing?
William: Iâ€™m doing fine. But [...]]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal">(Time for another visit with my friend Jack &#8230;)</p>
<p class="MsoNormal">William: Hey, Jack, good to see you again!</p>
<p class="MsoNormal">Jack: Always a pleasure, my friend!</p>
<p class="MsoNormal">William: The news about the economy lately is sure amazing. Itâ€™s an astonishing and sad thing to beholdâ€¦ &lt;!&#8211;[endif]&#8211;&gt;</p>
<p class="MsoNormal">Jack: Yes, thereâ€™s a lot of misery out there. How are <em>you</em> doing?</p>
<p class="MsoNormal">William: Iâ€™m doing fine. But Iâ€™ve been where a lot of those folks are right now. &lt;!&#8211;[endif]&#8211;&gt;</p>
<p class="MsoNormal">Jack: Really? Do tell&#8230;</p>
<p class="MsoNormal">William: Well, in the 1990â€™s I got sucked into the computer-tech craze. I was a â€˜contract programmerâ€™â€”basically a â€˜tempâ€™ doing 6-9 month contracts for various companies in the Seattle area. There was amazing money to be made doing that. By the end of the 90â€™s, however, I knew the whole tech-bubble would crashâ€”far too many start-ups with absolutely no idea how they would actually make money someday. In Seattle there were only a few big firms that werenâ€™t software companiesâ€”Boeing was one of them, so I got myself a contract there to â€˜weather the stormâ€™. And the tech-world did indeed crash in 2000â€”but I was OK at Boeing. Then one Tuesday morning, 9/11/2001, all of us there at Boeing watched those planes fly into the Twin Towers. I was watching this, standing next to the folks who had personally designed and built those planes. It utterly defied comprehension. &lt;!&#8211;[endif]&#8211;&gt;</p>
<p class="MsoNormal">(Pause)</p>
<p class="MsoNormal">Jack: As I recall, the whole air-travel industry pretty much augured into the ground after that. &lt;!&#8211;[endif]&#8211;&gt;</p>
<p class="MsoNormal">William: It sure did. So Boeing had to lay off all its contractors and lots of their full-time employees. They kept me around longer than most, but eventually it was my turn to go.</p>
<p class="MsoNormal">Jack: And you couldnâ€™t find another job? &lt;!&#8211;[endif]&#8211;&gt;</p>
<p class="MsoNormal">William: No. And I had a good resumÃ©. Just a year prior I could hit â€˜sendâ€™ on my resumÃ© and my phone would start ringing within an hour. At this point, however, the software field was truly on life support, and there were just no positions. â€œWe wish we had something for you, but we just donâ€™t.â€</p>
<p class="MsoNormal">Jack: So what happened? &lt;!&#8211;[endif]&#8211;&gt;</p>
<p class="MsoNormal">William: I tried everything I could think of, but it wasnâ€™t enough. I ultimately lost my house and went bankrupt. Music, which had been part-time income all along, was now my sole source, so the judge let me keep my glass armonica, other music equipment, my 10-year-old truck and basic personal stuff. After the final bankruptcy hearing I went out to my truck and wept. I was just stumped, and beaten.</p>
<p class="MsoNormal">Jack: That is tough, my friend. &lt;!&#8211;[endif]&#8211;&gt;</p>
<p class="MsoNormal">William: Yesâ€¦ those were dark days&#8230;</p>
<p class="MsoNormal">(Pause) &lt;!&#8211;[endif]&#8211;&gt;</p>
<p class="MsoNormal">Jack: So, what did you do next?</p>
<p class="MsoNormal">William: Well, the â€˜goodâ€™ part about being reduced to zero is that you have complete freedom on how you rebuild your life. I decided that if I was going to be broke, Iâ€™d rather be broke doing something I really believed in instead of doing something just â€˜for the moneyâ€™â€”especially when the money was gone! Computers had been easy money, and I had succumbed to that siren songâ€”and crashed on the rocksâ€”just like Homer warned us. Mind you, Iâ€™ve known folks who really love programming itselfâ€”they eat and breathe it. But I wasnâ€™t one of them. &lt;!&#8211;[endif]&#8211;&gt;</p>
<p class="MsoNormal">Jack: Apparently you settled on music.</p>
<p class="MsoNormal">William: Yes. &lt;!&#8211;[endif]&#8211;&gt;</p>
<p class="MsoNormal">Jack: So you say youâ€™re doing music because â€œyou believe in itâ€.</p>
<p class="MsoNormal">William: Yes!</p>
<p class="MsoNormal">Jack: And not because â€œitâ€™s funâ€ or for â€œfame and fortuneâ€? &lt;!&#8211;[endif]&#8211;&gt;</p>
<p class="MsoNormal">William: Well, I wonâ€™t deny that when youâ€™re doing what is fundamentally your path, it <em>is</em> also funâ€”just as my colleagues who really love computer programming were constantly lost in an amazing zen state when they were coding difficult algorithms.</p>
<p class="MsoNormal">Jack: And what about â€œfame and fortuneâ€? (Grin!) &lt;!&#8211;[endif]&#8211;&gt;</p>
<p class="MsoNormal">William: (Laughs.) I donâ€™t know about <em>that!</em> The thing is, however, that although few musicians are wealthy, itâ€™s still eminently possible to make a reasonable living at itâ€”as long as you approach your craft like a professional.</p>
<p class="MsoNormal">Jack: You still havenâ€™t explained â€œyou believe in it&#8230;â€ &lt;!&#8211;[endif]&#8211;&gt;</p>
<p class="MsoNormal">William: Right. Well, my 2001 crash-and-burn wasnâ€™t my first trip to the â€˜dark side of lifeâ€™â€”as a teenager my youngest brother committed suicide and my whole family imploded after that. People would try to tell us things like â€œit must have been Godâ€™s willâ€ or â€œyou just need to get over itâ€ or all sorts of horrible things. The fact is, I donâ€™t think there <em>are</em> any words that can help when youâ€™re in the midst of an agony like that. All that helped <em>me</em> was music. I found myself powerfully attracted to the music of composers who had gone through their <em>own</em> agonyâ€”Beethoven is a good example, especially the music he wrote after he went deafâ€”and their music was able to reach out across the centuries and say something to me like: â€œI really know what youâ€™re feeling, but youâ€™ll get through this.â€ Not that they consciously thought that when they wrote their music. But that was the end result.</p>
<p class="MsoNormal">Jack: And now you want to do the same?</p>
<p class="MsoNormal">William: Yes, I suppose so. One of the results of trips to â€˜the dark side of Lifeâ€™ is that you become sensitized to it, and all of a sudden you can see that the world is <em>full</em> of â€˜walking woundedâ€™. I donâ€™t know or care if my story is â€˜harderâ€™ or â€˜easierâ€™ than someone elseâ€™sâ€”itâ€™s certainly not a contest! But music helped me feel better, it helped me survive, and to remember the <em>feeling </em>of Hope. When youâ€™re in the middle of hell, it can be hard to even remember what Hope feels like. Telling someone whoâ€™s there that theyâ€™ll be OK is pretty uselessâ€”a hug communicates so much more, and a â€˜musical hugâ€™ communicates more still. &lt;!&#8211;[endif]&#8211;&gt;</p>
<p class="MsoNormal">Jack: Looks like you brought some music&#8230;</p>
<p class="MsoNormal">William: I just finished a new piano piece: â€œA Leaf in the Windâ€. Just a â€˜meditationâ€™ on how Iâ€™m probably more like a leaf in the wind than I really care to admit to myselfâ€”carried along by forces much greater than I. Thought you might like to hear it! &lt;!&#8211;[endif]&#8211;&gt;</p>
<p class="MsoNormal">Jack: Bring it on!!</p>
<ul>
<li>Here&#8217;s the complete MP3 of <a href='http://www.williamzeitler.com/media/AWorldWithNoTears-11-ALeafInTheWind.mp3' target='_blank' onclick="javascript:BatmoAudioPop('A Leaf in the Wind',this.href,'1'); return false">A Leaf in the Wind</a> (5:12)</li>
<li>Here&#8217;s <a href='http://www.williamzeitler.com/media/samples/AWorldWithNoTears-11-ALeafInTheWind-sample.mp3' target='_blank' onclick="javascript:BatmoAudioPop('A Leaf in the Wind - the first 20 seconds',this.href,'1'); return false">the first 20 seconds</a></li>
<li>Here&#8217;s the score to <a href="http://www.williamzeitler.com/media/AWorldWithNoTears-11-ALeafInTheWind.pdf" target="_blank">A Leaf in the Wind</a> for you pianists.</li>
</ul>
<p>As always, MP3s are on the <a href="http://www.williamzeitler.com/setyourownprice.php" target="_blank">&#8216;honor system&#8217;</a>â€”if my music does something for you, do a little monetary something for me and <a href="http://www.williamzeitler.com/cgi-bin/sc/order.cgi?rd=1&amp;storeid=*14896f551ab95007000afd2b&amp;sbid=SSMSB1211406619.40954"><img src="http://www.williamzeitler.com/img/btnDonate.gif" border="0" alt="DONATE" /></a></p>
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